vr makes noises livestream (square4 type basses in phase-plant, guitar with serum & color vocoder)
Virtual Riot2024-06-02
Music#Virtual Riot#Dubstep#Dance#EDM#Electro House#Mix#Remix#Gaming#NCS#2017 mix#2017 music#DSG#Dub Rebellion#SuicideSheep#xKito#Nightblu3#TheFatRat#Panda Eyes
12K views|3 months ago
💫 Short Summary
The video showcases various music production techniques, including creating unique sounds with samplers, synthesizers, and effects. The speaker experiments with modulation, layering oscillators, and manipulating parameters like pitch, volume, and filters. They share insights on sound design using different software tools, granular effects, and FM synthesis. The importance of perseverance and experimentation in music production is emphasized, along with recommendations for speaker use. Personal experiences, creative processes, and influences on music creation are discussed, highlighting the speaker's passion for exploring new ideas and sounds.
✨ Highlights
📊 Transcript
✦
New patch in Ableton Sampler resembling a super saw preset with low CPU usage.
01:03Patch includes multi-sampled sounds from various synths and offers control over pitch envelope and modulation.
Different layers with varying speeds create unique effects, enhanced further with delay and reverb.
YouTuber experiments with FM effects and showcases the versatility of the patch in creating dynamic and modulated sounds.
Viewers appreciate the unique capabilities of the patch and suggest improvements for the user interface.
✦
Utilizing multiple samplers for controlling filter cutoff, envelope, and creating unique sounds.
09:39Using FM modulation and spread to achieve interesting effects in sound design.
Manipulating pitch and filter cutoff movements while playing notes for dynamic expression.
Challenges of using a large amount of samples for a single instrument but enhancing sound quality.
Utilizing chatbots for quick reference and assistance in learning new software.
✦
Sound design with Face Plant software.
21:44Creating unique sounds through modulation and layering oscillators.
Manipulating volume and pitch using LFOs for precise control.
Creating rhythmic patterns and experimenting with harmonic frequencies.
Emphasizing the flexibility of Face Plant in sound design.
✦
Demonstration of modulating pitch and volume in music production software.
29:42Use of LFOs and filters to create a unique sound with noise oscillators, filters, and distortion in the sub bass.
Linking LFOs to modulate parameters and create rhythmic effects.
Customization of snap Heap feature for adding resonators and comb filters for additional sound manipulation.
✦
Discussion of audio effects, presets, and upcoming releases.
37:31Speaker created presets like Reduce Ambiance and OT, along with distortion and echo effects.
Plans to release presets on Patreon or in a larger pack.
Recollection of eerie encounters at a hotel in Hamilton, New Zealand with a single employee performing multiple roles.
Mention of upcoming music projects and experimentation with Reason Rack and Phase Plant for sound design.
✦
Creating new sounds through manipulating parameters in Serum and Guitar Rig.
46:39Experimenting with harmonics, ratios, phase positions, and LFO speeds to create unique electric guitar sounds.
Incorporating guitar samples into wave tables and adjusting for imperfections for realistic guitar playing.
Utilizing samplers to randomly select single guitar notes for a unique sound.
Exploring metal presets and potential adjustments for a more authentic guitar experience.
✦
Insights on music production techniques and tools.
57:31Using a slicer and arpeggiator, synths, and effects in music production.
Incorporating samples from a Patreon pack and experimenting with guitar recordings.
Reflecting on borrowing melodies and lyrics from a past song and seeking permission.
Importance of having a VJ for visuals during performances for security and flexibility.
✦
Music production techniques including granular effects and side chaining in dubstep are discussed.
01:08:33Drive and determination are emphasized as key factors for success in music, not just talent alone.
The speaker shares personal experiences with music production and encourages perseverance regardless of age.
Upcoming features in Face Plant software and using STB's Pat shop on Mac are mentioned.
The segment concludes with experimentation and exploration of sound design possibilities.
✦
Experimenting with grain envelopes and exploring different sounds in music production.
01:17:31The speaker adjusts octaves, ranges, and settings like grain size, envelope control, and pitch modulation to create unique sounds.
Concepts like pitch shifters, key tracking, and envelope modulation are discussed.
The segment showcases the process of manipulating sound samples to achieve desired outcomes in music production.
✦
Exploring sound samples, modulation techniques, and waveform creation using FM synthesis.
01:28:07Manipulating pitch, distortion, and frequency shifting to achieve desired effects in music production.
Emphasizing creativity and artistry in crafting unique waveforms through layering and modulation.
Highlighting the importance of trial and error in the production process.
Showcasing passion for sound design and experimentation.
✦
Importance of using GX speakers for music production and the recommendation to use them over headphones.
01:40:10Adam A7X speakers are mentioned as a reference in the speaker's studio setup.
Creative music production techniques are discussed, including using face plant for synthesizing sounds and applying filters, delays, and choruses for modulation.
The speaker expresses passion for exploring new ideas and sounds in music production.
✦
Creating music using a digital audio workstation.
01:45:07Demonstrating manipulation of samples and application of effects, including adjusting pitch and creating a filter for sound colorization.
Exploring techniques for controlling volume and stereo width, with an emphasis on experimenting with different settings.
Comparing different software tools for music production and highlighting the importance of personal preference and familiarity with the tools.
✦
Overview of topics discussed in the segment.
02:00:55The speaker talks about cars, music production, favorite movies, gaming preferences, and sound design techniques like frequency shifting and convolving.
They mention working on patches and creating unique sounds using different effects.
Personal preferences such as favorite movies and gaming characters are also touched upon, showcasing a diverse range of interests.
✦
Discussion on music theory and emotional impact of notes and frequencies.
02:06:01Leonard Bernstein's work on music and emotions is highlighted.
Comparison of music creation to playing video games for reward and dopamine.
Process of creating sounds using bandpasses and vocoders is explained.
Speaker's experience with video games like Minecraft and factors influencing music production are discussed.
✦
The discussion on ASMR and the use of audio software tools in music production.
02:15:57Exploring the concept of creating unique sounds through experimentation and keyboard settings.
Highlighting the affordability and accessibility of audio software development, with a focus on indie developers.
Recommending a music tune and emphasizing the creativity and influence of individual developers in shaping art production.
✦
Teaching core progressions in online and in-person classes, editing lesson recordings for upload, and sharing clips on their channel.
02:26:16The speaker mentions furry culture, Dota 2, and Slam Academy's EDM production class.
Viewers are advised against joining the advanced class without Ableton knowledge.
The speaker discusses quitting vaping and drinking.
Wishes viewers a good day or night.
00:03hope this
00:05works let's change
00:15that all
00:17right so far so
00:20good that all looks in order this is
00:24looking good
00:25too I'm about the right size for the box
00:28in the corner
00:30can I move myself a little bit whatever
00:34that's
00:36fine
00:37[Music]
00:41hello good evening I am uh I'm G switch
00:45to this I have to shave I also got new
00:48hair color while we're at it um I got a
00:52lot of work done today on album stuff
00:55and but that's not what I want to show
00:57you I also spent some time making a
00:58really cool uh
01:00patch in Ableton sampler and I wanted to
01:03give it give it away and I want to show
01:05you what it can do because it's really
01:07cool um the idea is
01:11that this patch is sort of like a super
01:14saw preset but the thing is since it's
01:17sample based it's not going to kill your
01:18CPU though I've added so many additional
01:20features that now it kind of is back at
01:23killing your
01:24CPU and just making sure everything
01:27looks good in terms of the Stream dream
01:30let let me know if you if you can you
01:33hear this beautiful
01:35saw how is the volume of to
01:42speech everything
01:46okay
01:49nice okay cool all right I want to show
01:53you what I show you what I got
01:57here so I spent some time back bouncing
02:00out individual saw samples from uh
02:05different like recorded analog
02:07synths um I use sample robot for this
02:11and this was so much work uh like okay
02:13was probably less way less work than the
02:15people who actually like got all of
02:17those out of and recorded them all by
02:19hand but basically imagine I can just
02:23pull this up real quick um if anyone has
02:26uvi Falcon you might know this stuff
02:28like in a couple of like contact
02:31libraries and a couple of uvi libraries
02:33are like recordings of actual analog
02:36syns right and then they might have
02:38something where it's like uh for example
02:40here JP Legacy and then there's like um
02:44I think the Mercury 80 is like this
02:46supposed to be like
02:47the maybe the
02:508080 um Roland or
02:52something but since so there there's
02:55like this Unison saw here that sounds
02:57real nice and real warm
03:01and um this has been multi sampled from
03:03a C 0 to a
03:06C7 so I've taken those sounds and many
03:11others from all kinds of synths and then
03:14just put them in here in eight different
03:17Samplers and if you move this knob this
03:21macro that just says super uh it goes
03:23from one of
03:24them that's just a not really detuned
03:27saw to mixing in all these other ones
03:31and it sounds
03:36awesome but that's not
03:41everything so first of all that is a
03:43nice super saw sound I think I can make
03:46this output just a little bit
03:48louder there are other things you can do
03:50here so there's a little vibr control
03:52over
03:53here so that's nice you can do that um
03:56there is a built-in F so all the
03:59Samplers have this buil-in FM and AM
04:01oscillator right so you can use that
04:03which does some very fun stuff I'm going
04:05to reduce everything back
04:07to just the initial uh single song If I
04:10increase the FM strength
04:13here it does something and it sounds
04:16kind of different
04:17now but not a lot until you change the
04:21fine tune
04:30so that's pretty neat and this happens
04:32to all of these by the way so now if we
04:35bring the stack back
04:36[Music]
04:45in So stuff can become like really um
04:49modulated and like moving with this
04:51which I really like and then uh this is
04:55also kind of neat I wish more plugins
04:56kind of did something like this so my
04:58idea here was over here you got control
05:00over like the pitch envelope and how
05:01fast it is so that just does this kind
05:03of
05:04stuff
05:07like or from the bottom
05:10upwards right right regular stuff we all
05:13know that um I'm going to turn on all
05:16the other uh Samplers
05:21here like that sounds nice that sounds
05:23like something I would probably use in
05:25like a future based song or
05:28something it sounds weet
05:30but what if the envelopes here that are
05:34causing the pitch to go
05:37up were at different lengths like
05:40different
05:41speeds for each of these layers so so
05:45like some of them are slower some of
05:47them are faster sounds great so this is
05:49all of them at the same
05:51tempo and then if we spread them
05:53out I must spread them out even harder
05:57[Music]
06:03even
06:04[Music]
06:14more it's almost like the THX logo thing
06:17where it like slowly drifts into place
06:19sort of because it's coming from like
06:21different uh with different
06:25speeds right it sounds like some sort of
06:27Reverb thing I love it
06:32[Music]
06:35that sounds so
06:39Majestic so that is a cool thing I
06:43thought and I wish that that existed
06:45more for synthesizers for like certain
06:47synthesizers I think I don't know if
06:50soft tube was that but let me just move
06:52over to talking face to face now um I
06:56don't know if soft tube did that also
06:58now I can read the chat uh but there I
07:00think there is a VST plugin somewhere
07:02where it sort of does that for the
07:04different voices where like if you have
07:06a 16 voice poic thing there's a
07:09different envelope for each of those
07:10voices for
07:12like modulations or or things like that
07:16o I need to change my need to change my
07:19thing stream status poor oh no is it is
07:24it okay does it sound all right for
07:28y'all I'm uh
07:30yet I yes I do because I was recording
07:33video so I have it in 4k but if it
07:35sounds if it looks
07:37okay yeah just
07:39started that's fine okay I'm going just
07:41ignore this yellow warning that
07:43YouTube's given me
07:47then posture
07:49check
07:51nice all
07:54right make the sound sound man
08:01uh okay I have like one or two more
08:03things in here that are nice uh that
08:05that are like cool to show so I'm going
08:07to go back
08:08to everything kind of how it was before
08:12and if we do like a long sustain type
08:17thing oh yeah there's a little bit of
08:18like General drift here
08:22too that's neat with more spread gets
08:26even more weird and I think that then
08:29again
08:30sounds very weird with the sort of FM
08:33thing that's going on
08:43here I'mma add more delay a little bit
08:46of
08:48Reverb oh that filter here too so we can
08:51have it like do a little bit of this
08:58[Music]
09:07oh yes sorry I forgot I forgot to switch
09:10it
09:12back thank you for letting me
09:17know so yeah um you got a little bit of
09:21I I know this this uh UI sort of that I
09:23try to come up here with isn't ideal um
09:27but I
09:28tried so like these all give you control
09:31over all the eight Samplers uh main
09:35controls like the filter cut off and
09:36everything and uh it kind of
09:39works so you can like this is the filter
09:42envelope for all of them the amp
09:44envelope for all of them so you
09:46can change stuff however you want and
09:49what I was saying is so I reduced
09:51it back to just the one voice and uh
09:55there is this drift
09:57[Music]
09:59go up and down randomly and then we also
10:01got the spread which is just the simpler
10:03has a two the little spread thing where
10:06like kind of turns it into multiple
10:08voices
10:11but but like DET tuned and then the
10:14drift kind of modulates all of them
10:17differently and with both of these now
10:19the FM kind of does a really cool thing
10:25[Music]
10:37and now every new note I play while like
10:40holding other notes uh gets this little
10:42bit of pitch uh pitch movement filter
10:44cut off movement where it like comes in
10:45and
10:47out so I'm keep holding that and then
10:49I'm going press
10:52[Music]
11:10yeah right a little Blade Runner are you
11:12and at any time we can bring in all
11:14those other
11:15[Music]
11:19voices like you felt that right it's
11:22just just like came in slightly I think
11:24I could link that H if I link this to
11:28let's just do one more thing thing if I
11:29link that to uh the if we do like
11:32expression control here and then have
11:36the mod
11:38wheel mod
11:39wheel so mod wheel is going to modulate
11:44bipolar on the here filter frequency
11:49cool so I can control that with it and
11:53that's like all the way up like this and
11:56then same thing also mod wheel
12:00bipolar modulate oh no keep yeah stay
12:04like this for the super knob and now I
12:10was going to see if that would
12:14work if I'm messing around with this and
12:16it's kind of
12:17[Music]
12:21like so I'm holding down that whole
12:24chord
12:25again oh that was not a nice note
12:28[Music]
12:34all right all the notes are in place and
12:37now let me just move the motor wheel
12:42up o it should be a little less on the
12:45filter
12:50frequency so that we can hear when it's
12:52down here how it is
12:55uh uh do I need to do this for this oh
12:57no super is on zero like this
13:01that's
13:07neat yep that's the pitch B when it
13:10works maybe a little bit of slow
13:13drift the
13:19vi sorry I'm
13:23just that sounds so nice
13:29[Applause]
13:44[Applause]
13:47[Music]
13:55woo
13:57um the only side is that because uh of
14:02the samples used for this this is like a
14:04half G half a gigabyte of samples just
14:07for this one instrument because it's
14:09like if you look into it it's eight
14:11Samplers um and each of them is filled
14:15with and each of these samples is just I
14:18tried to keep it short 5 Seconds long
14:19but it's still a lot of
14:22samples but it does make it sound real
14:25nice and I also found a way around the
14:29problem of um you know when you have a
14:31sampled instrument and you press the
14:33keys over and over it kind of sounds the
14:35same every time right like because it
14:36just place the same sample from the
14:38start um since these are all just like
14:40sort of waves that don't do anything
14:42it's just like a super saw that is just
14:44continuous um you can just randomly
14:47start anywhere in the sample and then
14:49just Loop it so then it uh it'll always
14:51sound like a little bit different and
14:53you don't get that repetitive kind of
14:56effect except if you want that that's
14:57cool too uh let me have a look at the
15:00chat cuz I was
15:04completely absorbed in this super for a
15:07second
15:08there super slight attack on the
15:10envelope Oh no you're talking to each
15:12other all good right the sounds so
15:17cinematic
15:19yeah no it's not a serum patch I've been
15:22really going towards doing more stuff
15:25with just Ableton stock
15:31and just to see like what you can do
15:33with that uh Christian what was your
15:35question oh devi8 hi how you doing what
15:40anime have you been into lately I
15:42haven't had that much time lately to to
15:44watch any anime I'm doing the
15:45album
15:47priorities are you going to get a second
15:49monitor sometimes so you know just like
15:50stuck on your laptop yeah yeah um I
15:53think at some point later this year
15:55I'mma build like a studio cuz right now
15:59just it's just like this kind of bedroom
16:00situation here and then um I wanted to I
16:03want to see if I can have like a nicer
16:05setup right now even my the speakers are
16:08on different
16:09heights and very uneven and but it's
16:16fine oh so many people this is nice I
16:19hope everybody's having a good evening
16:20or morning or afternoon wherever you're
16:23at where where are yall from
16:26chat let me know your
16:30General
16:31location just country country is fine
16:35you don't need to dox
16:41yourself oh Australia Finland Portugal
16:45I'm going to come to Portugal soon
16:47that's awesome hi Lenox from
16:50Germany the desert night Veil
16:56probably I'm coming to Seattle I think
16:58later this year unrustable yep sorry
17:01this I saw some people asked some
17:03questions and now everybody's saying
17:05where they're from also H yeah Mexico
17:07let's go Indonesia Ah that's where my
17:10machine 56 stuff is from um there were
17:12some questions up there and then I asked
17:15the where's everybody from thing and now
17:16they just got like bumped up I just have
17:18a quick uh read through
17:22those um how you make the deep vocal in
17:25you hear that in your Rumble remix um I
17:28think just I think that was just pitched
17:30down with the formance corrected in
17:32Ableton maybe a little bit of bits speak
17:35that usually keeps it
17:36crunchy um do you think you'd get into
17:38developing Max for Life plugins in the
17:41future don't have the time maybe way in
17:44the future once I'm like done with
17:46touring but I don't know maybe 10 years
17:49from now or
17:51something uh the last video with the Rex
17:53made it WM Got You Started With Ableton
17:56you've been using a f for 5 Years it'll
17:58be rough but it looks worth it here is a
18:00really good tip by the way if you switch
18:03dos or if you want to if you like learn
18:06any new software honestly just have chat
18:09GPT on the side and if you can you can
18:12even give chat GPT like the PDF of like
18:15the manual of the software as reference
18:18and then whenever you have a question
18:19just ask it and that'll just be like
18:21your co-pilot I did that with Cinema 4D
18:24the other day and it was so much less
18:27frustrating cuz I not great at Cinema 4D
18:30but just with the ability to like
18:33immediately just ask it via voice and
18:35then getting like a step-by-step
18:37instruction on like how to do something
18:39in Cinema 4D was great and uh I think
18:42computer oh yeah I got to credit him he
18:44told me that he is learning bitwig that
18:46way right now and
18:49uh yeah and he loved it so yep try that
18:52it's
18:57great you do programming what languages
19:00M I did a bit of like contact
19:03scripting which is just like basic logic
19:06stuff I never looked at like C+ or
19:09JavaScript or something but I kind of
19:11know how it
19:14works I'm finish this on crustable and
19:17then we're going to make some sounds in
19:19face plant
19:34oh how was Val doing
19:36today I'm doing good I got um got my
19:39hair done recently I'm glad everybody
19:42likes it I got an
19:46uncrustable how does your um VJ work
19:50with you on stage that's a good question
19:52there's a she she did um a couple of
19:54reals about this too but it's basically
19:57like we I'll tell her the rough set list
20:00before every show so she can arrange her
20:02resom file accordingly and then she
20:05triggers the visuals with her controller
20:08and basically like if you've ever used
20:11cdjs or a DJ controller and you know how
20:13you got like your hot cues and your
20:15Tempo fader and the volume faders for
20:19chopping like that's literally what
20:21she's doing there if the visuals a
20:22little too fast or a little too slow she
20:24can nudge the tempo in real time to get
20:26it on time basically beat matching
20:29and then different faders will be on
20:31different channels with different video
20:32clips and uh then she can like literally
20:35chop between different visuals just like
20:37I would chop between two ritm Tunes or
20:39something which is crazy do not vote
20:42Trump I just saw
20:50that
20:53whoops the stream's still
20:55there accidentally closed my page
21:04how do I get
21:07back what did I
21:14do
21:20Jesus oh now music starts playing I am
21:23like I feel like an old man right now
21:28oh there we go everything still
21:32works all
21:44right fa it sound design in face plant
21:47maybe we can have a look at
21:48[Music]
21:49that I'm just going to save this real
21:51quick here as a rack
21:58we going to move this in here I guess so
22:01that it's part of the rack I might keep
22:03that big so I'll know that it's there
22:05and that it does things and then uh I'm
22:07going to just reset everything here to
22:09sort of where it's supposed to be and
22:10then I save this and then we're going to
22:11have a look at face plant um minus 30
22:16post comp start with off start with this
22:19low this up this
22:25down oh it's drifting still there we go
22:28perfect
22:31safe
22:34bam yep that's a lot of samples I'm do a
22:37collect all in save to and then maybe I
22:39can put this on patreon or something but
22:41this would for this would 100% be free
22:44cuz those um the raw recordings of just
22:48the notes out of the hardware syns I
22:50didn't make those so maybe it would be
22:53okay to give that away as a free
22:55thing all right um so yeah I got a lot
22:58of stuff today done for the album which
23:01is why I was like hey I can just maybe
23:03do a live stream and just make
23:05absolutely ridiculous setups in Phase PL
23:08which is fun um we can also I looked at
23:13I I was kind of just like trying to
23:14remake that type of SRX and Hy push that
23:18type of sound and I found some cool
23:20methods uh how to do that with face
23:24plant that is uh pretty easy
23:28if you have been making Rhythm for a
23:30long time then this is going to be
23:32boring because square waves right but um
23:35it's actually really neat and you don't
23:37necessarily even need a com filter or
23:39anything but it does make it crazier so
23:43what I would do and I like that you can
23:45arrange stuff like this here is make one
23:48analog with a square and then under it
23:51under the envelope that sends it out you
23:53can add more oscillators and you don't
23:56hear them because this only goes
23:58downwards if there's like another
23:59envelope down here or another output
24:01then we could hear these two but we can
24:03use them to
24:04FM so I can say Hey you go phas mod up
24:11here I hope this isn't too loud or like
24:14too abrasive cuz is ow high
24:18frequencies um let's put this on like a
24:21little higher harmonic and now we got
24:24yep sounds good I'm going to play that
24:25an octave lower
24:28so that's neat and then maybe we could
24:30have U oscillator 3 here FM oscillator
24:342 let's just put you over
24:37[Music]
24:38here that's already pretty
24:42neat so there's already like a lot of
24:44cool little sweet spots in
24:46there and you can play around with that
24:48but let me sort of let me make a little
24:52rhythm that we can play around with and
24:55uh and then a sub under it and then it's
24:57going to be fun so and see I'm going put
24:59a gain over here and I'm going load up
25:02an LFO that's going to be controlling
25:04our volume so I'm just I just wanted to
25:06like only modulate in volume right now
25:09so uh me here go over
25:13Yonder I'm going be controlling
25:17that
25:18works and then maybe another LFO over
25:22here that is way
25:24slower like maybe a bar long like this
25:28and that is controlling the speed of the
25:32CFO so maybe just this left number so we
25:35can go between
25:371/16th and 416th which is a quarter note
25:41and now if we go in here and make little
25:44thing like
25:50wow I think kind like
25:54that that should
26:00nice so by having this B quantized like
26:04this number here can only be and you can
26:06kind of see that as soon as you hover
26:07over it with your mouse you kind of see
26:09how it says uh LFO plus three and then
26:12one to four or you can't see that there
26:14you go um this is kind of neat so you
26:16know exactly in what range one thing is
26:18modulating the other plus this is
26:21another reason why I love face plant if
26:23you are assigning this like hey I'm
26:26assigning this LFO to to change the rate
26:29over here if I click here and then I do
26:31a right click here then this thing opens
26:34up right and I can type in how much like
26:37usually this is like percentage value or
26:39something but instead you can also down
26:41here just type in hey I wanted to
26:43modulate it so strong that it goes
26:45between one and then you can type in
26:47something here four and then no matter
26:50what percentage number that is it'll
26:52just make it work so it goes between
26:54value a and value B that you've just set
26:56so that's neat
27:00so now we've got that um I'm going just
27:02make sure that these always trigger from
27:04note on just in case sometimes it likes
27:06to change that um oh facts somebody says
27:12me write that down write that down and
27:15let's also make one for the pitch just
27:18like a long one kind of so this one's
27:21also going to be
27:2244 and then I'm going to be like fun
27:26have fun with this so you can now you
27:27can double clicking these now
27:29immediately to add more points if you
27:30hold command it snaps to the Grid in the
27:33back also great um so I'm going have
27:35this bipolar so that it goes from high
27:39to the to the center where it would be
27:41like original pitch so and
27:45then and then maybe a little
27:54lower something like
27:56that uh this is bipolar right okay oh
27:59here I can show you again so I'm I'm
28:01assigning this LFO to the master pitch
28:04left click here right click here and now
28:08instead of changing this I can change
28:10this and I can see oh okay now it's
28:12making it go from this negative amount
28:15of semitones to this positive amount of
28:17semitones if I just want it to be
28:19between minus one and one I can just
28:20right click here and type one and now if
28:23I look at it again it's minus one to one
28:25perfect I have no idea what that's going
28:27to sound like but but uh let's
28:32here almost that's uh let me make this a
28:36bit
28:37bigger I wanted
28:38[Music]
28:54like kind of
29:00yeah that's
29:04okay you can also right click these now
29:07and change them from like Smooth to not
29:09smooth which is also neat
29:12um I think this guy just has to come
29:15down faster like hey exponential
29:19please
29:20[Music]
29:26fine yeah that's
29:29fine
29:31cool um next oh I'm going to check the
29:35chat real quick anything
29:38important mod maxing next one um sign
29:42wave for the sub and here oh this is
29:45also going to be awesome you're going to
29:46love this so first of all this is now
29:48also following
29:50our like following the pitch and
29:53following the gain automation from up
29:54here but I'm going have this go out to
29:58to Lane
29:58two so that's it's going to have its
30:01separate output here and
30:03uh so the sub should just be
30:07on it should still do that pitch
30:10movement but it's not getting uh the
30:12volume automated we'll get there or I
30:15might just I might just copy this over
30:17here you can hold option while you copy
30:19an effect or a thing and all the routed
30:21modulations get copied with it and then
30:23our main sound goes into Lane one which
30:26goes into lane two but lane two is where
30:27the is getting this so this is going to
30:29go to Lane three and then this is going
30:30to go to Lane three so this is the main
30:33Lane and this is the Su
30:35Lane now for the cool thing I want like
30:38a buzzy top end on my sub so I could say
30:41hey let's make a noise
30:43oscillator yep that is a noise um make
30:46it white noise stereo random maybe even
30:50let's delete this output envelope but
30:52instead add a filter to just have the
30:55high stuff left kind of like this then
31:00under the sign way for sub I'm going to
31:02name this sub we're going to click here
31:05and add an AUX and then you can connect
31:08the output from the filter with the
31:10noise to the input of the ox and after
31:13that click again and add a
31:17distortion now you have crunchy
31:23sub and if we feel extra fancy we could
31:26link the this wobble
31:28the LFO that does all the movement to
31:30the level
31:34here neat so now we got
31:38that uh this this pitch mod is a little
31:40goofy maybe a little
31:43less that's neat cool
31:46[Music]
31:49um maybe it's a bit much with the noise
31:52a little little
31:54less alternatively could just turn it
31:56down here
31:58[Music]
32:01cool so far so good uh now obviously
32:04it's about finding the sweet spots here
32:06with
32:07[Music]
32:15the and wouldn't that be nice if that
32:17was moving
32:19right that sounds kind of neat
32:23um so oh yeah this is just going to this
32:26is going to keep twitching like this I'm
32:27sorry sorry this might be a little hard
32:29to look at um so we
32:34could modulate the level of
32:36[Music]
32:40these which sounds great so that's one
32:43option or the phase literally just this
32:46phase control here not how much it's
32:49being phas
32:50[Music]
32:55moded like you hear how it sounds the
32:57same at negative
32:59180 and then positive 180 what if we had
33:02a just like saw wave modulate through
33:06that so let's just make a quarter
33:09note saw up LFO here bipolar and put you
33:16[Music]
33:22here great now you're making rhythm
33:30[Music]
33:31um ideally here you could do something
33:33like um like for a make sure that
33:37[Music]
33:39uh make sure that this sort of
33:42modulation here goes between negative
33:45180 and positive 180 so the whole range
33:49but then maybe this macro is going to be
33:52controlling how strong this LFO is so
34:01because a little like too much might
34:03turn
34:04into could become a little messy
34:07especially down
34:10here and a little less oh yeah today's
34:12just going to be weird as sounds like
34:14I'm I'm this is kind of basic right now
34:16with the with the Rhythm stuff but I I'm
34:18just going to make weird noises later
34:20like this we're just going to put like
34:2215 sine wav in a row or
34:25something so I like that um we can also
34:28do that to the other oscillators like
34:30these um the modulators here that we
34:32don't hear but that are affecting the
34:33sign uh the square
34:41wave and I just like looking at it
34:44because it looks kind of funny if all of
34:45these are like moving forward sort of
34:47like
34:49this is it's a little mesmerizing it's a
34:51little Twitchy I'm sorry that it's so uh
34:54it's because I'm modulating the thing
34:56here if if I turn this down
34:58that's a little bit better and that
34:59looks kind of
35:01[Music]
35:07cool so that is not CPU intensive At All
35:12by the way because I just saw someone's
35:14asking
35:15that so now we have this which is neat
35:18we got our sub separately over here we
35:20could distort it a little bit
35:23[Music]
35:29but I made this little snap Heap
35:33thing that is rhythm
35:35companion so there's a couple of things
35:37in here most importantly two resonators
35:41either on like positive or negative and
35:43then also com filter over here um and
35:46this is sort of also like there's an LFO
35:48in here as well that you can link to
35:50things um I might just have this beond
35:52quarter notes for
35:55now so here you can kind of select hey I
35:58would like a negative com filter
36:01so and I would like it to
36:04have that much Decay and this is the
36:07offset from so it does key
36:10track and then this is sort of the
36:12offset from the
36:13[Music]
36:15key so that direction here but like
36:17slightly down
36:20[Music]
36:33and then you can mix in the comb as well
36:35just for extra
36:42flavor negative is better I feel
36:46[Music]
36:49like and then the Decay is a bit long
36:52maybe
36:53[Music]
36:58neat so far so
37:00good oh positive resonator that's
37:09better nice okay and then Lane three is
37:13sort of like where both of these come
37:15together right so uh here I might add
37:18another snap Heap where I have made VR
37:22allinone which
37:24is another crazy thing that contains
37:27like my version of uh reduce Ambience
37:31and Ott but in
37:33multipass is sort of my attempt here
37:38um I will give I will either give these
37:41out on my patreon soon uh or or make
37:44like a huge pack anyway with like kilo
37:47hearts with the presets or something if
37:49I can get these all done um but
37:52basically you got reduce Ambiance and
37:54OT a little bit of distortion I think
37:57here and then this is just how much sub
37:59and there's a little echo in
38:04there so perfect for perfect for your
38:07rhm needs and then I think if I um if I
38:11I'm going just turn the echo on here and
38:13turn this one off so then we can
38:15hear like you hear that little bit of
38:17tail also sorry this is pretty loud
38:20right I'm very
38:22sorry
38:24um so you hear the little bit of Echo
38:26and then this reduced should kind of uh
38:29make that go
38:32away it also made everything brighter
38:34that's not supposed to happen why is
38:36that turns up the mix here which is
38:38right and turns up the release there
38:40that's okay but why does this this does
38:43it separately for the mids and the sides
38:45is there I guess
38:49H why so
38:52harsh so like a gain output gain oh yeah
38:56output gain is way way higher here or
38:58input gain's way higher here and the
39:00output gain doesn't
39:02compensate
39:08H okay see that's why I'm not giving
39:11these out yet because they're not
39:12perfect they're not fully done
39:15yet and then OTG does the OTG
39:18thing widen is a little crazy cuz it
39:21like splits it up so that the uh the
39:25side signal gets OT separately and then
39:28add it back
39:30in so that does make it really
39:33[Music]
39:36wide
39:38sweet and
39:41sub and then you kind of just want to
39:43play around with
39:45[Music]
39:49the yep all of
39:52that and that and that
40:01[Music]
40:03um does it bring the pitch bending back
40:11in little
40:17[Music]
40:24messy maybe if the resonator decay
40:27the resonator Decay was linked to this
40:29ELO
40:35[Music]
40:39to
40:42[Music]
40:45Jesus and we can link the widen to this
40:48[Music]
40:51too and the drive
40:55[Music]
41:00neat
41:01okay uh sorry for like getting hung up
41:05on the sound for so long I'm have a look
41:08at the chat real
41:11quick I was about to get some sleep and
41:13you had to go live I'm sorry you can
41:14still go to sleep I'll I'll I'll keep
41:16this online I on my chat so it's
41:21okay ott2 it is five band so it is a
41:25little improved I guess but I don't I
41:27don't know if it's actually
41:34improved bro got to propose to a square
41:36wave
41:38yep can you make some higher audio bit
41:41rate or change audio quic in your
41:42broadcast software oh does it is it is
41:45the audio
41:46quality or or is it just because it's
41:49Rhythm and you think it's no it's
41:51supposed to sound like that didn't you
41:53know
41:54[Music]
41:58uh I fly out to Japan tomorrow any
42:00suggestions where to go definitely Tokyo
42:02and um if you're out there try to try
42:05Indian food for some reason Indian food
42:07in Japan is just crazy good makes no
42:10sense but
42:13[Music]
42:17W saw your show at the back Bar in
42:19Hamilton New Zealand dude Back Bar in
42:22Hamilton yes milky ah dude that's when
42:27dude that is I have memories of that uh
42:30they put you in this hotel for if you
42:33play Back Bar in Hamilton and the
42:35hotel's kind of creepy but also kind of
42:38vibby like when I was there I think 2017
42:41that might have been with Dave DS if I'm
42:43not mistaken and I remember that this
42:46whole hotel it looked like there was
42:48just one guy working there at the front
42:49desk who kind of looked like Dracula but
42:51like as a hotel waiter sort of he looked
42:54like Ken ofth thin he had this black
42:55suit on and here and and then me and me
42:59and dbls were the only two people there
43:01it seemed like and the rooms are like
43:03the ceilings are super tall you don't
43:05get a key card you get a key with a
43:07little like like fabric Thing on it the
43:10doors are massive and then eventually
43:11like I get a text from him like Hey do
43:13you hear children's laughter in the
43:15hallway and I was like yeah this is kind
43:16of weird uh and then the toilet in my in
43:21my room wouldn't flush so I called the
43:22front desk and I was like hey can you
43:24fix this and I swear to God the same guy
43:26who was at the front desk was now
43:28wearing handyman outfit and was now
43:30fixing the toilet I think it's like the
43:32only guy who works the entire hotel and
43:35he does all the jobs just by himself or
43:39something
43:42uh yeah this just turned into a little
43:44bit of story
43:46time something new that will come with
43:48on the album no secret
43:59um let's go back to the face
44:03[Music]
44:04plant let me just save this real quick b
44:08a standard WP I made a I made another
44:12cool one I made like a is a square for a
44:15starter cuz I yep great that sounds
44:20awesome like the other day I made a
44:22thing where it's like two of those sort
44:24of in a row and you can just randomize
44:25and you get a new patch every time let
44:27just find that real quick it's kind of
44:28really cool here phase plan Square 4
44:31Factory oh maybe it's just this one let
44:34me see what's your favorite BPM to work
44:37in to be honest recently it's been like
44:39180 or 200 so basically like 90 or 100
44:47um anything good with the uh the screen
44:50everything
44:52okay base Pack 4 maybe um like I mean
44:57I'll definitely make another oh yeah the
44:59reason rack I have it I just haven't
45:01installed it yeah like the reason rack I
45:03do want to mess with that um especially
45:06base Pack 4 what where did you see that
45:10huh oh here no a square 4 or
45:16something um no what I was I I made this
45:19thing here where like um the idea was
45:22that there
45:23is a phas plant and then
45:27um all this stuff linked to be
45:31randomized and there should even be a
45:35little bit of H the plug data nasco's
45:38spectral compressor which is
45:43great okay um let's see if this works if
45:46I hit the idea is if I hit R it should
45:49just create a new sound
45:55[Music]
45:59it
46:00[Music]
46:11works yeah this things that's fun so
46:14it's just like all these parameters
46:16where it's like hey like all these
46:18harmonics sound kind of good like all
46:19the even ones only so I made the a
46:21little remapper here so that if you move
46:24the ratio macro here that should control
46:27that should that like connects to there
46:29and
46:30uh it doesn't work if you've mapped them
46:33to a thing here but basically that uh
46:36just generates you picks random ratios
46:39for the fing picks random phase
46:41positions a random speed for the lfos
46:45and I even want to make it so that it's
46:47not just a square wave or a triangle
46:49wave that it's working with but it has
46:50it's like a whole wave table um and you
46:52can just pick a random position and then
46:54do something with that um so said
46:57something about Nexus and Guitar Rig so
46:59I did play around with guitars the other
47:02day and let me see real
47:05quick ah I'm just going to open it from
47:08here uh us library and then
47:11[Music]
47:13guitar there we go so I tried to make a
47:16patch in serum that kind of sounds like
47:19um an a clean electric guitar it's kind
47:23of the
47:25idea um and and then running that
47:29through Guitar Rig to make it sound like
47:32a like actual guitar or actually like
47:34distorted guitar so I'm going to do the
47:36clean one
47:37first um might have to make my output a
47:40bit louder M
47:44down so this is the serum patch trying
47:47to sound like an electric guitar
47:54[Music]
47:58a little bit I guess this Distortion
48:00isn't completely
48:02real um so there's like a lot of little
48:06things going on like also how
48:08like if I press lighter it's like sound
48:11a little bit different I also try to
48:13like sort of fake how you know when you
48:15playing electric guitar If you hit it
48:17low string real hard the pitch kind of
48:19goes bam like it goes down a little bit
48:23um so there's a little bit of those
48:25imperfections in there
48:27and then so I used two samples of like
48:30an just a guitar like and put those into
48:33the into the wave tables I literally
48:34just went like Library all and just put
48:37in guitar and then filter uh sample one
48:43shot and then
48:45uh that's one of these two and then I
48:48just went okay what similar samples do I
48:50have here nope that's a chord
48:54[Music]
49:00yeah but basically I just went through
49:02that and was looking for uh for single
49:05notes single guitar notes and then I
49:07just put two of them in here um and then
49:10there's a little bit of this
49:11guitar pluck noise here but now once we
49:14run this through guitar I will turn down
49:17the volume a bit
49:20[Music]
49:26Um this can be way louder I I left this
49:28on pretty
49:30[Music]
49:40chill it's bit aggressive I
49:43know I did have a better result the
49:47first time I tried it and I forgot to
49:48save it so I'm going to do a couple more
49:51tests just trying this
49:53out cuz then I thought what if in
49:57instead of a serum I just use uh um
50:00enablon sampler and just load a lot of
50:03different single notes of like clean
50:07guitarists in there and it just randomly
50:09picks one randomly one for the left and
50:11a different one for the right Channel
50:12and everything else kind of the
50:15same so that's kind of that kind of
50:18ended up sounding like this
50:20[Music]
50:50so that's just these two Samplers filled
50:53with a
50:54few just these one shot samples and it
50:56just picks a random one every time
51:00doesn't play the all at once um and then
51:03second one is on the other on the other
51:06channel and then both of them go in here
51:07and this is a really chill setup right
51:10now uh but I guess if I got rid of that
51:13delay and of
51:15this we
51:18could why is the release so long I've
51:21probably done that
51:24right this Su stain hey oh it's just
51:27this okay because I want
51:31to okay I want to distort this real hard
51:33just to see what this would sound like
51:35as an as a metal guitar let's
51:37[Music]
51:46go we can do better I'm going just have
51:48it give me a random metal preset
51:56[Music]
52:00not too
52:01[Music]
52:05bad yeah somewhere me somewhere
52:08good
52:14oh oh that's pretty
52:17[Music]
52:23good but obviously I'm playing this on a
52:25keyboard so it's not like how a guitar
52:27player would play usually um I'd have to
52:30adjust that a little bit for that but
52:32I'm happy with what this sounds
52:33[Music]
52:39like but I can show you something cool I
52:42made with this let me just see if is a
52:44guitar fun it just that
52:48no
52:52ah Jesus Christ I always forget how I
52:55name my things
52:59random drum r with [Â __Â ] nope I'm just
53:02going to have to do the good old
53:04search and in the meantime I'm going
53:06switch to face cam and have a look at
53:08the
53:09chat oh hey
53:13veos damn almost 300 people we just just
53:16been
53:17growing yeah the clean guitar setup
53:19sounds nice
53:27the sample track in your latest ailon
53:29Rex video s for man please make
53:30something yeah oh no I'll definitely I
53:32have some I have some plans I was here
53:35when you played the show in China I
53:36didn't get to the actual show but I
53:37showed up meet and greet oh that's
53:39awesome dude that that was so
53:43cool wasn't your Advan EDM production
53:45person for a short period of time last
53:47year asked about Chief Two stuff ah yes
53:50I
53:51remember you still sample TF2 I feel
53:54like I kind of I should at least once
53:58somewhere in the new album I'm
54:00technically with some with a new ID I'm
54:03sampling the same guy on like by
54:06accident it's just the same voice actor
54:08because I use the storm Spirits let the
54:10fun begin and I
54:14think either that yeah I think that is
54:18also what's his name John
54:21Lori the
54:23sniper um okay let me find this project
54:25file real quick
54:27yes I enjoyed EDC that was nice I was
54:29there for the whole weekend just got to
54:30hang out with a lot of friends and see
54:32some cool
54:33sets uh let me find this project real
54:38quick vocal processing guitar fun is it
54:41guitar fun cuz that's so it might be
54:43guitar
54:45fun because four megabytes
54:48big still have my signed phone from when
54:51you did a little meet and greet in
54:52Champagne orbana if you remember oh
54:55that's so dope
54:59a wait someone's just posting the my
55:04Wikipedia I saw
55:06that make a video on haror actually I um
55:11I have some cool stuff I can show you we
55:12can look at haror in a bit let me just
55:14see if this is what I thought it was
55:16nope this isn't what I thought it
55:19was different project file
55:22then inum guitar let me just find this
55:25real quick this is kind of be worth it
55:27join me uh join me in this and trust
55:31me cute band oh it could be
55:34this yes yes
55:38mhm oh there's a two version two oh but
55:43that's not it should be
55:45this okay let's see I'm must oh let me
55:48just uh read this up real quick makes
55:54don't o I need to try
55:57that have you heard the new Bring Me The
56:00Horizon album not yet but now that I
56:02know of it thank you very much I'm going
56:04check that
56:05out the square for
56:07factory um we kind of that's yeah we
56:10kind of went there um this stream will
56:13be available like on my channel
56:15afterwards so you can check out all the
56:18square for madness um the factory is
56:21just multiple like of that rack all
56:25linked to the same buttons so I can like
56:26export a lot of stuff very quickly okay
56:29so here I have a little thing that I was
56:31working on and
56:34um let me just show
56:37you so there's like some guitar stuff in
56:40here and what I did for example I going
56:42just explain this sorry you're not going
56:44to I'm going take off the ozone so I
56:47recorded some guitar and I'm going to
56:49make sure this isn't warped
56:54[Music]
56:58so this is just
56:59[Music]
57:05like very trashy just like just no not
57:09playing to a
57:10[Music]
57:13click oh M sound Factory yes that
57:16thing's crazy
57:19too so I was just like frantically
57:22playing these little Parts here and um
57:25then I put that into a uh slicer type
57:31thing uh oh here so I put that entire
57:35recording uh into a simpler on splice
57:39mode uh slice mode splice mode Jesus and
57:41then put an arpeggiator before it and
57:43then it kind of sounded like
57:46[Music]
57:53this so I thought like hey that maybe
57:56this can just quantize since every note
57:58is going to be sort of like a a
58:00transient maybe it can just quantize my
58:02shitty playing for me and yes it
58:05can and then there's some effects
58:09[Music]
58:14[Music]
58:23here and these are all the these syn
58:26Loops these are all from the patreon
58:28pack with all those like randomly
58:30generated uh background things just to
58:34like for as
58:38filler but it sounds really neat and we
58:40got a little chip tuni boy here that's
58:42just a triangle I
58:44[Music]
58:50think and then uh it goes into some
58:54guitar stuff and I was before you all
58:56are surprised um this is a I think it's
58:59like half sample half synth clean guitar
59:02type thing and then that through Guitar
59:04Rig sounds
59:05fantastic I also did it with did I do it
59:09with serum anywhere like serum through
59:11Guitar Rig n there's all these
59:17syns and let me just play it 1 2 3 Let's
59:20Go
59:22[Music]
59:38[Music]
59:54and then in this part there's vocal and
59:56I realized that I stole the lyrics and
59:58Melody from a disco Ensemble song that I
01:00:01heard many moons ago uh when I was still
01:00:04in Germany like probably 10 years ago
01:00:06and I kind of want to ask them if I can
01:00:09like sort of clear that melody or
01:00:12something cuz they don't exist anymore
01:00:13the band they're from Finland or
01:00:15something Scandinavian and um and I
01:00:18really like it but uh so yeah this keeps
01:00:20going here
01:00:40[Music]
01:00:51I promise you I promise you you like
01:00:55like
01:00:58[Music]
01:01:11promise
01:01:14yeah
01:01:17portering portering to the
01:01:23audience um so something funny actually
01:01:26happened in here where it was just like
01:01:29sh simulation uh there was this fun
01:01:31little bit where so remember how I put
01:01:33the um acoustic guitar recording into
01:01:35the slicer thing here right and um so
01:01:38one of them is set to through playback
01:01:41so that means if you play a slice uh and
01:01:43it's on trigger mode and it's on through
01:01:45then it'll just keep playing until it
01:01:47reaches the end of the sample unless you
01:01:48trigger a different slice so that sort
01:01:51of oh hi sound ni that sort of made it
01:01:53happen that at the end here when the
01:01:55last slice is played it does the
01:01:59following it just keeps
01:02:05playing and I was like that sounds kind
01:02:07of cool so I like re-trigger it
01:02:12here just so that this sample just keeps
01:02:15playing in the back here and it sounds
01:02:16kind of nice let me play it from over
01:02:17here
01:02:22[Music]
01:03:08yay yeah solivan King collab that's too
01:03:12it's too
01:03:13loud thank you for the everyone enjoying
01:03:16the vocal chops I'm happy I'm very I'm
01:03:19I'm going to be very nervous with some
01:03:21of those new songs where I'm singing on
01:03:23but is going to be all right wasn't for
01:03:26that class at
01:03:29all oh oh I see I see yeah don't worry
01:03:33how did your said at DC and at the arm
01:03:35work with the second person controlling
01:03:36the visuals I mean so she's uh always
01:03:39been controlling the visuals since like
01:03:41she joined disciple and then um for like
01:03:44At first at the bigger festivals um
01:03:46she'd come and then she would do visuals
01:03:48for Willie U me for for um what's his
01:03:51name Riot 10 um fun case uh I think John
01:03:5612 Planet back in the day and stuff and
01:04:00um but it is a lot it makes it a lot
01:04:02easier if um the VJ is on stage with you
01:04:06because a I am not as nervous cuz I'm
01:04:08not alone and B uh if I like change my
01:04:12plan halfway through like which song I
01:04:14want to play next or something um I can
01:04:16just tell her right there instead of
01:04:19maybe having to text her during my set
01:04:21and hope that it she gets the message or
01:04:23something so uh it's lck cooler that
01:04:28way how do you are to be of the be of
01:04:31the cause to be to go our end to have of
01:04:36the no you just don't
01:04:41no uh have you thought about releasing
01:04:44some of your old project files like pray
01:04:45for rhythm um that's not a bad idea I
01:04:47should try and see which ones I can like
01:04:50revive in a way where it's like where
01:04:54everything sort of works and then put
01:04:56them on on the on the patreon or
01:04:58something that's a good
01:05:03idea
01:05:05um close the browser tabs I beg you uh
01:05:08you know what I'm going to switch back
01:05:10to this so then you don't have to see
01:05:11him um I do want to show you all some
01:05:14more stuff too and just see uh cute
01:05:18chords oh I think cute quartz is
01:05:22actually um cute quartz is actually the
01:05:25prises not promises the emotional remix
01:05:28CED liquid German base what is CED
01:05:30liquid German base October 17th 2023
01:05:33let's just have a
01:05:35look like going through uh project files
01:05:38is fun and I also have no idea what it
01:05:42is room reveal when when I have uh my
01:05:51studio thank you so much for all the
01:05:53music education man means of world no
01:05:55yeah thank you I'm I'm happy to I'm
01:05:56happy to help I just it's very
01:05:58um it's uh very selfish I just want
01:06:02there to be more good music to listen
01:06:07to okay um this might this is just a
01:06:10very small thing what is this
01:06:13[Music]
01:06:17even this is a nice patch more face
01:06:20plant oh yeah the granular thing ah you
01:06:23can make such nice things with the gran
01:06:25us
01:06:27[Music]
01:06:35later what who's called your personal
01:06:39tranquilizer that's fine I think I
01:06:41spelled it with two L's so it's okay you
01:06:45can have the one
01:06:47l oh hey B
01:06:50Dr damn we got we got royalty here I
01:06:54have no idea what this is
01:07:06[Music]
01:07:11yes oh that's so
01:07:13nice and I know exactly what I what I
01:07:17copied
01:07:18here
01:07:20um enter Shakari
01:07:27from this
01:07:29album uh the pressure is
01:07:33on let me just make sure this comes
01:07:35through on the on the stream audio yes
01:07:38or no it doesn't nope that doesn't never
01:07:42mind check out the pressure is on by
01:07:44inter
01:07:46shikari is very close just the
01:07:51vibe anti oh okay why do you keep your
01:07:54side chain trigger at
01:07:565
01:07:57milliseconds um yes I can tell you
01:08:02so that is because and you can see this
01:08:06here but I will make this Visible man
01:08:08track controls track options Tada oh in
01:08:10this case I didn't have it but usually
01:08:11always have that so the point of that is
01:08:15that my side chain which apparently I
01:08:17used to make this with an older version
01:08:18of shaper box the isn't here anymore but
01:08:21let me just do
01:08:24this if you you
01:08:26have uh especially with dubstep you have
01:08:29things that have a lot of sub and a lot
01:08:31of low
01:08:33frequencies I'm just going to make make
01:08:36that here real quick as an example and
01:08:41uh if you have a low sub like this you
01:08:44already heard it there I just stopped
01:08:45the playback and it created this little
01:08:48click but if you side chain and your
01:08:51side chaining is like
01:08:54immediate then that might cut
01:08:58the I
01:09:01guess I guess the shaper box is sort of
01:09:03like fix that by
01:09:06now a still you can kind of
01:09:09hear how it's like clicking sometimes so
01:09:12to prevent that I want to give my side
01:09:14chain a little bit of a fade in and
01:09:16actually down here you can see the
01:09:19millisecs that this point is into this
01:09:23whole waveform here so if I put this
01:09:25like over over here 7
01:09:30milliseconds no more clicks and then I
01:09:33just need to move my side chain midi
01:09:35trigger 7 milliseconds into the future
01:09:38like early so that it also triggers that
01:09:43curve earlier so that it definitely is
01:09:45on zero as soon as the kick in the snare
01:09:48or kick in or snare
01:09:51hits yeah oh
01:09:53nice is there demo shaper box there's
01:09:56definitely some it's got to be be
01:09:58something check out their page do you
01:10:01think you ever call up with Jacob Kio
01:10:02remix one of his songs he's cool I don't
01:10:05know what we would coll on I'm not that
01:10:07Jazzy but maybe I could
01:10:11try making
01:10:13music I have I started with cuas when I
01:10:16was like 11 but I also played piano
01:10:19since I was six just make don't let that
01:10:22stop you like there's like people who
01:10:24picked up making music music at age 30
01:10:27or 35 or 40 and um techno DJs that
01:10:31became famous who were 45 or something
01:10:34like time um doesn't really matter that
01:10:38much and also what matters most and okay
01:10:42is going to be like a little advice
01:10:44moment so I saw this somewhere else on
01:10:47YouTube from someone else um talking
01:10:48about like the difference between talent
01:10:53and determination
01:10:56and um like how much drive you actually
01:10:59have that you want to do this and think
01:11:02of it as like your skill level from like
01:11:05zero to 10 right and 10 is like [Â __Â ]
01:11:08SRX and then there's also like a drive
01:11:11level from 0 to 10 and if you have 10
01:11:14talent but only five out of 10 drive
01:11:18then you're not going to make it as far
01:11:21compared to someone who has five out of
01:11:2310 talent but 10 out of 10 Drive
01:11:30that's uh just what I want to put out
01:11:35there I hope that wasn't confusing
01:11:38because
01:11:40English what's your favorite
01:11:41[Music]
01:11:43cheese what do you think about Tokyo
01:11:46machine he
01:11:50cool I like I like him he reminds me of
01:11:54someone
01:11:55but I don't know
01:12:05who how do you get Drive damn it to sign
01:12:09up for Google Drive just
01:12:12sorry
01:12:15um
01:12:16okay and let's just I've been talking so
01:12:19much and not making a lot of sounds
01:12:21let's make some more face plan nonsense
01:12:24cuz I want to show you fun fun stuff
01:12:28and cuz face plant is awesome and I
01:12:30think they are soon adding a filter
01:12:32shaper which
01:12:34is they're making it better and better
01:12:37so the granular thing is awesome too um
01:12:40if you just go on like splice or uh
01:12:43somewhere and you just find like a vocal
01:12:45sample that's like a little U maybe just
01:12:49a single
01:12:51note something like that
01:12:55there's a little bit of movement in
01:12:57it like that's very static but could
01:13:00also be
01:13:03cool but something like
01:13:05that or that let's just put that in
01:13:09here and
01:13:12then actually this one's Reverb and it's
01:13:14Tor let's
01:13:18go so by default that sounds very weird
01:13:22I just like looping this tiny little bit
01:13:24so we got to make it
01:13:26variate in
01:13:29position and
01:13:31[Music]
01:13:39timing o
01:13:45Jesus so far so good let's give it a bit
01:13:48of release
01:13:49[Music]
01:13:58[Applause]
01:14:02[Music]
01:14:02[Applause]
01:14:08[Music]
01:14:10um um I wish I could use stb's Pat shop
01:14:14but I don't have my Eli sensor anymore
01:14:16and I um can't be asked to try and yeah
01:14:20write it sound or um uh virtual cell of
01:14:24ghost voices
01:14:25[Music]
01:14:26[Applause]
01:14:29so this neat maybe if we give it warm
01:14:31start then it won't have this fade
01:14:33[Music]
01:14:34in so even
01:14:38closer and my favorite bit is oh yeah
01:14:41first we can also have half of them
01:14:42maybe be
01:14:44reversed
01:14:45pan
01:14:47[Music]
01:14:48level oh you don't need Eli sensor
01:14:50anymore oh okay just oh hell yeah okay
01:14:54just Pat up work on
01:14:56Mac then I will try that um oh yeah and
01:15:01lastly
01:15:03[Music]
01:15:04chord what if we play the same Melody
01:15:07with the chord
01:15:08[Music]
01:15:09[Applause]
01:15:10[Music]
01:15:14on um now we want to change this to
01:15:17octaves and then the
01:15:20range like maybe just a tiny bit so this
01:15:23basically now decides the chance of one
01:15:25of these little
01:15:27particles uh one of these little grains
01:15:29to be an octave up so I'm going just
01:15:31hold down a note and then slightly move
01:15:33this
01:15:34[Music]
01:15:35upwards nice even 0.05 but you can hear
01:15:39every once in a
01:15:40[Music]
01:15:53while neat oh it's an you H maybe I'll
01:15:56try I do want to see if we can get
01:15:59something interesting out of the
01:16:00granular boy over here though if we put
01:16:03in like a bass noise like uh let's go to
01:16:06the heavy base design volume three just
01:16:09for fun and look for a base sound maybe
01:16:12I hope this isn't going to be too loud
01:16:14now this is a starter so and then maybe
01:16:18let's just do that one I just want to
01:16:20see what we can get out of that this
01:16:22might sound a bit weird now
01:16:26oh yeah uh I played oh thank you yeah
01:16:28the walk away that was like a big old
01:16:31edit with some other songs in there
01:16:33let's res
01:16:35reset reset this all uh grain envelope
01:16:39shorter Jesus uh let's turn the cord
01:16:47off that's kind of fun have you heard of
01:16:50culprit oh yeah no of
01:16:52course I uh I think what was it like the
01:16:55whole um Deliverance album is incredible
01:16:59and I think helter is my favorite
01:17:01culprit song it's
01:17:03just
01:17:05Jesus all right let's see what we can do
01:17:08here if we can
01:17:12uh because so what I noticed and I
01:17:16wonder if I can do this here because I
01:17:19liked this in Pat shop was that I could
01:17:21make a very very small grain size
01:17:25like you hear how it's like self
01:17:27oscillating at this point um and then
01:17:29let's make
01:17:31um an
01:17:32envelope and have this envelope
01:17:36control the position here so it
01:17:39basically moves across the sample for
01:17:41[Music]
01:17:43us so it kind of like it should kind of
01:17:45just play back the sample for us but we
01:17:48also got those grains happening um so
01:17:50let's see let's put this on a I guess
01:17:54huh
01:17:55positive then just going to play
01:17:56Backwards
01:17:58right the other way
01:18:02around can I make
01:18:04you
01:18:06hey there you
01:18:09go okay it shouldn't stop there it
01:18:11should go a little
01:18:12[Music]
01:18:16longer sorry for the weird
01:18:19sounds
01:18:21but you might have noticed
01:18:23how ha at the right
01:18:26speed it's starting to sound like the
01:18:29original sample
01:18:34again
01:18:37I'm there we
01:18:44go there we go that's
01:18:46it but now so I'm playing a C3 right now
01:18:51and it's just playing the sample back
01:18:52right
01:18:55I guess I can also adjust the grain size
01:18:59here and now if I play a higher or a
01:19:03lower note I know comp filtering you can
01:19:05sort of get there but if I play a higher
01:19:06and lower note
01:19:09[Music]
01:19:10now it's not actually changing the pitch
01:19:13it's more like a foran
01:19:15[Music]
01:19:17shift it also gets more messy I wonder
01:19:21if there's a weit
01:19:25I wonder if there's a way how we can
01:19:27like so this was the thing in Pet Shop
01:19:29you could sort of key track multiple
01:19:32things like the grain envelope maybe or
01:19:34the grain length and the playback speed
01:19:37or something so that would be forant
01:19:39forment not foran shift forment shifting
01:19:42um and that's kind of how that works in
01:19:45real life too where it's like if you
01:19:49pitch something up or down usually the
01:19:51pitch shifters use like tiny grains that
01:19:54they pitch up individually and then the
01:19:55foran shift tries to keep certain parts
01:19:57yeah I don't I don't know I don't want
01:19:59to go any further I I'm not going to
01:20:01know what I'm talking about I looked
01:20:02into it
01:20:04[Music]
01:20:08once let me just try out some things
01:20:10real
01:20:12quick and that just all sounds like
01:20:15[Music]
01:20:16whatever but let me just try out one
01:20:19more one or two more things so these all
01:20:21start very close together
01:20:24[Music]
01:20:27ooh the timing variation is
01:20:30[Music]
01:20:33nice and like the length the speed of
01:20:35this envelope now changes the pitch
01:20:37which I think is
01:20:39funny but can I get you to sound even
01:20:45weirder like if I play it
01:20:51back even smaller grains how small can I
01:20:54get the grains and how I'm sorry this is
01:20:56going to sounds horrible I know just
01:20:58need to try also maybe oh sink oh no
01:21:00that's just Sy to
01:21:02that and then density rate yeah I guess
01:21:05density is what we want oh this is both
01:21:10directions align phases I haven't even
01:21:13tried that don't no idea what that
01:21:18does okay
01:21:20okay position
01:21:29Jesus okay that just gets
01:21:33messy I'm very
01:21:35sorry that just makes it
01:21:44louder sorry sorry sorry
01:21:48[Music]
01:21:55oh that's kind of cool right oh what if
01:21:58it was an En LFO instead of an envelope
01:22:00DV8 coming through with a good
01:22:03ideas
01:22:07yes oh
01:22:10boy
01:22:14yeah let's speed that up
01:22:28is the grain envelope thing modulatable
01:22:30it
01:22:32is um what if that gets a different
01:22:41elev oh we're getting
01:22:44somewhere okay okay wait stop
01:22:48everything we we got to do this right
01:22:53random uh
01:22:56smooth at like a certain speed but maybe
01:22:59we also want to link that to a macro so
01:23:00we can speed it up and slow it down and
01:23:04then that controls
01:23:08this and then we have a a different
01:23:11random that controls
01:23:14this from smallest possible size to like
01:23:1740 maybe and that's already pretty good
01:23:21but maybe there's one more thing we can
01:23:23modulate
01:23:25grain size is possible I don't know if
01:23:27there's any point in modulating the
01:23:29envelope shape dev8 do you have an an
01:23:32any idea what else I could uh put a
01:23:35random LFO on for
01:23:37this so far I maybe the maybe the actual
01:23:52tune yeah maybe the tune let's try
01:23:55that so you go on the semi incent and
01:23:59just like here we do the thing again 12
01:24:01so up an octave down an
01:24:04octave oh it can
01:24:07also could probably do that too I think
01:24:10the this can be longer
01:24:11too or should it
01:24:14be I think this should stay shorter but
01:24:18then you on bipolar are going to go to
01:24:25timing
01:24:31[Music]
01:24:34aha why is it not doing what I think it
01:24:36should be doing is it position that does
01:24:39yeah I guess it's position that does
01:24:41that make another one put you on
01:24:45position
01:24:56LFO on the reverse percent I feel like
01:24:58that wouldn't do too much let me take
01:25:00these
01:25:04off doesn't
01:25:09really the Pen's kind of
01:25:11nice if it only does that sometimes so
01:25:14that's
01:25:19good what was that oh the pitch all so
01:25:23good let's do the the
01:25:25pitch Jesus
01:25:30ah hey you're bipolar why you on zero oh
01:25:34plus minus cuz it's plusus two okay I
01:25:36see now then that makes sense you stay
01:25:38like
01:25:45this I guess this pitch thing is a bit
01:25:52extreme oh boy line
01:25:55[Applause]
01:25:56[Music]
01:26:05[Music]
01:26:12phases this is fun
01:26:17faster Jesus uh let's run this through
01:26:20the um this one just for processing a
01:26:23little bit
01:26:31[Music]
01:26:38okay space mosquito yeah let's see what
01:26:40does Chad
01:26:42suggest put six OTS on okay we kind of
01:26:44have put an OT on
01:26:47it mod modulating Unis and dune oh yeah
01:26:51I did that cool Rhythm I I put in other
01:26:54samples too Notch filter sign Distortion
01:26:56under
01:26:59[Music]
01:27:00uh pod racers yeah right or a balloon
01:27:03losing
01:27:04air space mosquito is
01:27:08best
01:27:10uh yeah like a tonal delay could
01:27:13definitely sound
01:27:17good
01:27:18um frequency shifting for the
01:27:20oscillators no I don't think so maybe
01:27:24that's what this is the shift like
01:27:27that's by Hertz Maybe if but I I'm not
01:27:30entirely
01:27:34sure so if there was like a resonator
01:27:39then yes we could make it like resonate
01:27:41but that's kind of boring
01:27:45now like
01:27:55that's that's fine that's fine and good
01:27:58but how do we harness the full power of
01:28:03[Music]
01:28:07this this just position thing is just
01:28:10too
01:28:11crazy okay let's try out a different
01:28:13sample
01:28:15though maybe
01:28:20that let's also put um
01:28:25let's try putting a sign with it so sine
01:28:29wave with you
01:28:32here and uh let me just that was a cool
01:28:34that's cool so sine wave is about yeah
01:28:38High maybe sine wave and this thing get
01:28:41similar pitch modulation where does
01:28:43pitch mod go here so um you go oh wait
01:28:50can just fix that by just going here
01:28:53instead
01:28:54so that goes up and down about
01:28:57five so then I got to play a
01:29:01low this low F or
01:29:05G I like how these grains are frozen
01:29:07whenever I hit a
01:29:10key so that's a bit low here so maybe
01:29:14get you up an
01:29:18octave and then also let's run this
01:29:21through Distortion I feel like my laptop
01:29:24is starting to make noise is it it's
01:29:27probably just all my tabs oh and I
01:29:30forgot to switch
01:29:31back it happens
01:29:35again oh yes the Distortion was
01:29:38definitely the
01:29:44move oh
01:29:50boy um yeah
01:29:56oh yeah position isn't being
01:29:58randomized that is a big mistake it
01:30:01sounds a bit crushy right but that's
01:30:03just in this case that's just the sample
01:30:05I
01:30:08think let's try a different sound maybe
01:30:10not a base sound just for fun let's do a
01:30:14snare cuz there's a lot in a snare like
01:30:16a like a weird um peny one
01:30:20[Music]
01:30:32I can't decide actually pan snares are
01:30:34there's better ones in spicy Rhythm too
01:30:37um there we go that
01:30:50one how do I make you become less noisy
01:30:53and just like a little more
01:31:03organized maybe this has to be like
01:31:05longer in general a little
01:31:08bit
01:31:15nah well let let's
01:31:18research in science sometimes
01:31:24sometimes you got just got to try it out
01:31:27and realize that it's
01:31:29not working out how you thought it was
01:31:31going to work
01:31:33out I like how this wave down here
01:31:36though represents like the mix of both
01:31:38of these together looks very nice and
01:31:50satisfying I guess the
01:31:56what is the speed
01:31:58doing of this so that's really
01:32:05distorted how do get
01:32:07it how do I get it to be less and like a
01:32:10lower
01:32:12pitch it's just so
01:32:17noisy oh more grains but then those
01:32:20grains have to spawn
01:32:24like slower or more spread
01:32:27out I guess maybe actually hurts this
01:32:33rate nope okay I'm giving
01:32:36up it's just I'm giving
01:32:40up it's fine um well that was that but
01:32:45there's other really cool things we can
01:32:47do with face plan too
01:32:50so let's see so I really like how you
01:32:53can just stack FM stuff on top of each
01:32:56other and sometimes that's just fun
01:32:57enough to make really cool waveforms
01:32:59with like for example if we have a saw
01:33:02and that is a
01:33:05saw and then uh doing the thing where we
01:33:08put
01:33:11one uh under here and then move you to
01:33:15FM face mod maybe
01:33:19just leave you like that but then let's
01:33:22duplicate this and then this next
01:33:26guy wait let me just actually yeah you
01:33:28can stay here then this next one is on
01:33:31two and now we get to add in like maybe
01:33:35two more or how did I do this last time
01:33:37did you also just stay on one basically
01:33:39just using these to like create some
01:33:41sort of interesting shape up here I
01:33:43guess it's not this I guess I have to
01:33:46have you modulate you there we go so now
01:33:50we have these four ripples up here cuz
01:33:52I've created a ripple in the oscillator
01:33:54that has created the Ripple so it's like
01:33:57becoming becoming more and more ripply I
01:34:00got to make room for more ripples so now
01:34:03spread this out maybe move the phase a
01:34:05little bit so I can see the ripples
01:34:08better there we go and another one and
01:34:12you go to this one and there should be
01:34:14two new ripples in the middle
01:34:18yay and the quality of this is just yes
01:34:23I've used fm8 back in the day the
01:34:26quality of this is just what I love
01:34:28about this like this sounds really nice
01:34:30and crunchy this might also sound
01:34:33differently lag oh
01:34:36no
01:34:42no I can like pause and restart and hope
01:34:46that changing the resolution is going to
01:34:48fix it
01:34:55is it
01:34:58okay is it doing
01:35:01okay okay I'll if I see more a lot more
01:35:05complaints I might just do the restart
01:35:08then all right so we've made ripples um
01:35:11maybe one more layer of ripples so
01:35:13spread you out further spread you out
01:35:16inside that it's basically like a wave
01:35:19sculpting it's like art
01:35:24and then you go in here and now we've
01:35:26got this going here doing that maybe
01:35:31also shift you a bit in face shift you a
01:35:34bit in face and then up there
01:35:40beautiful quite the interesting
01:35:42waveform you got there
01:35:47buddy and this is real nice and crunchy
01:35:51[Music]
01:35:55yep yep yep yep yep yeah I'll play
01:35:58[Music]
01:36:02it that need to be
01:36:04[Music]
01:36:11monophonic there we go that's too
01:36:17long neat I just want to know what that
01:36:19sounds like through a com filter real
01:36:21quick
01:36:26[Music]
01:36:29negative n not too
01:36:32[Music]
01:36:35crazy but what if we I'm just going to
01:36:37keep this going so you going to just
01:36:41move here I can't hear any of them and
01:36:44now here I might have a sine wave and
01:36:47that'll be FM with all the results of
01:36:50this
01:36:55just I just have fun looking at these
01:36:58crazy wave shapes that's that's all I
01:37:02need
01:37:05Jesus I feel
01:37:07like probably make something cool out of
01:37:09that if this pitch bended like up and
01:37:11down an
01:37:13octave
01:37:14[Applause]
01:37:16like and at the same
01:37:19time I was kind of doing that you know
01:37:22that could be kind of cool
01:37:27so can I do this let's see can
01:37:32I midi CC right yeah and then none move
01:37:36MIDI controller pitch B does that
01:37:39work can I have the pitch b control
01:37:42something doesn't really is the only one
01:37:44to hit it
01:37:48no can you not map the pitch Bend or
01:37:50pitch wheel there it was was right there
01:37:54so pitch wheel is going to control
01:37:58however strong oh that just goes like
01:38:00that I'll have to remap that or no pitch
01:38:03map's going to control how strong this
01:38:06whole thing is going to be AEM here at
01:38:08the same time as doing the
01:38:10[Applause]
01:38:14sweep okay that's sort of what I was
01:38:17thinking enough and then if we have
01:38:19[Applause]
01:38:20a oh no this sounds like the a [Â __Â ]
01:38:24[Applause]
01:38:27siren Jesus that not what I wanted to go
01:38:35for
01:38:37and maybe we could do something like the
01:38:41uh like two parallel moving things or
01:38:43something I wonder if can I just do this
01:38:45here like hey you go out to both Lane
01:38:49one and Lane two and then Lane one goes
01:38:52to three and Lane two goes to three and
01:38:54here we have a filter and here we have a
01:38:56filter and now they both start on
01:38:59opposite ends and I'll have the pitch
01:39:02Bend move you
01:39:04up I'm going to check in the meantime if
01:39:07this works up to about here and your
01:39:11resonance is also going to increase and
01:39:12you're going to be moved down to about
01:39:14here and your resonance is also going to
01:39:16increase but you're also going to start
01:39:18with already a little higher of a
01:39:19resonance both for you too and um yeah
01:39:23yeah yeah kind of and you start way
01:39:25higher and you
01:39:27go let's wonder what that sounds
01:39:33like
01:39:35neat um make this Unison and let's just
01:39:39try two that are spread and
01:39:44detuned um if this guy goes a little
01:39:46higher we should get more of a y instead
01:39:48of a
01:39:49yo not high enough
01:39:57this is fun this is how I like to spend
01:39:58my
01:40:00evening yes I use oh what speakers what
01:40:04speakers do I use I currently use GX
01:40:06which I never thought I would say but
01:40:08they're really nice I would just
01:40:10recommend you to get speakers don't
01:40:13produce just on headphones that's all I
01:40:16would want to tell you it doesn't really
01:40:17matter even you can do great stuff on
01:40:20Rockets skx made scary monsters and Ice
01:40:22Sprites on on Rockets So on krks so you
01:40:27don't have to spend a lot of money you
01:40:28just need speakers that's all I have
01:40:30some modular stuff somewhere and we'll
01:40:32look at that in another Studio Time
01:40:34episode at some
01:40:37point okay so that's cool
01:40:42but let me try and get this into
01:40:45something useful like this already
01:40:47sounds
01:40:48neat but it's still it's a little
01:40:50intense isn't it
01:40:54so what could I do let me just first of
01:40:57all also like I'm going turn that back
01:40:59off make it just a little bit quieter
01:41:00over
01:41:02all and I think one of the things is
01:41:04these are
01:41:05all what if all of you were like an
01:41:08octave higher in terms of like your
01:41:11harmonics you
01:41:14know and then I'm a just get rid of that
01:41:18for
01:41:19now cuz I want to try and get some like
01:41:23pH mody type
01:41:25noise oh yep I know this is still
01:41:28happening all of this nonsense is still
01:41:30in
01:41:32effect there we go that's an
01:41:36F
01:41:40ha pair of Adam a7s For What $100 hell
01:41:45yeah that's
01:41:47great ah dude Adams are
01:41:51awesome the a7x
01:41:53I when I get like when I build my new
01:41:55studio I definitely just want to get a
01:41:57pair of Adam A7 X's just as like a
01:41:59reference
01:42:00[Music]
01:42:08pair
01:42:10how yep that is a lot of stuff going
01:42:17on okay we have FM enough let's do
01:42:21something more creative so here are
01:42:23other cool things that I can I recommend
01:42:26doing with um something like face plant
01:42:29because since you have the option here
01:42:30this is pretty sweet let's say we got
01:42:32two
01:42:33saws and I'm going to play this a little
01:42:35higher so I'm going to have like a
01:42:36little melodic type
01:42:38synth now that's like going to have some
01:42:41release time actually these can both be
01:42:43in the same in the same
01:42:47group everyone's awake
01:42:49[Music]
01:42:51now so let's give this a little filter
01:42:54too and filter gets a little bit of an
01:42:56envelope that just like Fain out but
01:43:01[Music]
01:43:07then cool uh make it pretty with
01:43:14delay also I can recommend here um put
01:43:17the delay on a 100% mix and put a chorus
01:43:21before it
01:43:23and maybe a filter after
01:43:28[Music]
01:43:29it now you have a like modulated warm
01:43:34filter
01:43:35delay that you can mix in down
01:43:38[Music]
01:43:46here but that's not what I wanted to
01:43:48show
01:43:48you what I wanted to do was um so as
01:43:53this thing here goes down I'm just going
01:43:56to duplicate this uh I'm going to have
01:43:59this modulate the pitch here but
01:44:03[Music]
01:44:06downwards maybe that'll just be a sine
01:44:08wave that's like a little quieter but
01:44:11maybe an octave
01:44:13[Music]
01:44:15up and maybe just not that much just a
01:44:17little bit so it's like a falling star
01:44:20kind of like a shooting star that comes
01:44:22up every time you let go of the
01:44:25[Music]
01:44:28key it's so cute I love
01:44:31[Music]
01:44:38it and I just I just love these things
01:44:41like whenever I just have an idea where
01:44:42it's like yeah good what would that
01:44:44sound
01:44:46like it's just very easy to make in here
01:44:51[Music]
01:44:59what's being made right now just pretty
01:45:02sounds uh not much um you can also
01:45:07import some
01:45:08samples uh wait let me see how how do I
01:45:11do
01:45:12this you can do a similar thing here
01:45:14that you can do with serum effects with
01:45:16like running um a base for example
01:45:19through a self-built multi like phic
01:45:23resonator so let me just think real
01:45:25quick um first we got to find the base
01:45:27Loop that we want to colorize with our
01:45:30own resonator and we need grab something
01:45:33from the heavy base design volume
01:45:353 and uh sorry if this is a bit loud
01:45:39maybe turn it
01:45:43down let's just do that one load in oh
01:45:47this little pink background I don't know
01:45:48if that's a bug or but that's neat so we
01:45:51need this as a sample
01:45:53and what I now need is I need this to
01:45:56play at its original pitch no matter
01:45:59what key I
01:46:00press but
01:46:02it's not doing that right now so we got
01:46:06to grab a midi note and then just put
01:46:10this on the semi but
01:46:13inverse now no matter what key I press
01:46:16it's always playing it in the same pitch
01:46:18which is not the original but
01:46:21[Music]
01:46:23there we go so now it doesn't matter
01:46:25which key I
01:46:27press and that means we can in fact oh
01:46:32we could just do this here huh right
01:46:35make a filter here that's like a really
01:46:38tight band
01:46:40pass super tight band
01:46:45pass
01:46:48right uhhuh and now that key track
01:47:06the question is is this
01:47:09feasible as a
01:47:11uh as like a colorization technique so
01:47:14let's try I'll probably have to turn
01:47:17down the volume of this quite a lot
01:47:18because we'll have to trigger the sample
01:47:19many times to make like a big chord so
01:47:23let's do that and see if that works so
01:47:25I'm going just let's just do like an F
01:47:26minor so
01:47:29f c
01:47:31[Music]
01:47:38g and I'm going to go really high
01:47:40because we want like all those glossy
01:47:42high frequencies in
01:47:43[Music]
01:47:47there that should be enough right that's
01:47:50enough notes
01:47:52and uh let's hope that pipany oh yeah
01:47:56okay we can connect that real high okay
01:47:59now I'm going bring this to zero and
01:48:00then
01:48:06I'mma
01:48:08okay now let's link an input like audio
01:48:12follower so this gets the volume right
01:48:15from the input sound or from from
01:48:18this and maybe that could control the Q
01:48:30kinda Let's uh let's keep going I feel
01:48:33like I didn't go down far enough because
01:48:36fzero is still absolutely
01:48:40[Music]
01:48:44valid maybe this one doesn't need to be
01:48:48there yeah there's a there's some low
01:48:51end in there now
01:48:54okay this is getting
01:48:57somewhere if the slope is not that big
01:48:59then it's going to be louder
01:49:01right
01:49:05yeah I almost feel like we need to
01:49:08double this up
01:49:10like like two of
01:49:13those
01:49:15sorry sorry this just what happens
01:49:20sometimes sorry
01:49:22[Music]
01:49:25nice okay that works uh let's make a I I
01:49:29do want to add like a few more just to
01:49:31see how glossy it can
01:49:35[Music]
01:49:38sound yeah there we go that's
01:49:46better okay okay okay
01:49:54are we
01:49:55running not running out of voices okay
01:49:58now also just to
01:50:01prevent like too much in I shouldn't
01:50:04have moved that we can kind of prevent
01:50:07extreme results and like a little bit of
01:50:10this like maybe we can kind of even the
01:50:12Sound by using the key tracking to uh
01:50:16determine which voices are louder and
01:50:18which are quieter cuz for example those
01:50:20high frequencies I think right that's
01:50:21pretty loud is it let's close this down
01:50:25that's fine but not too bad so if I were
01:50:27to use the note key tracking here and I
01:50:29put this on the
01:50:33level then I think this way around the
01:50:37lower notes should be
01:50:38quieter or the higher note should be
01:50:41quieter
01:50:42[Music]
01:50:48yes it's like a
01:50:50dampener where the higher the note
01:50:53that's played the higher the peak in
01:50:55this filter the quieter the
01:50:58sample what flavor am I vaping cotton
01:51:00clouds cotton candy
01:51:03flavor I wonder what would happen if we
01:51:05Unis in
01:51:07this
01:51:09interesting
01:51:12o there's got to be a way how to make
01:51:14this stereo but
01:51:18cool wait wait wait think think think
01:51:23think
01:51:25yes
01:51:29yes NOP not
01:51:31mix
01:51:33orx and then this from here to the orx
01:51:39and
01:51:41then these duplicated down here with the
01:51:45same
01:51:46connections as before and then
01:51:51um this is pen to the left this is pen
01:51:53to the
01:51:54right why is one louder than the
01:52:01other is it because of
01:52:05the oh cuz the
01:52:08gain - 20 no more sorry we're being too
01:52:11loud negative 30
01:52:1525 and you
01:52:17also 25 cool yep now it's sounding
01:52:24what did I did it wrong oh it's
01:52:28this
01:52:30right just what that thing
01:52:33does yeah okay there we
01:52:38go and now these could slightly vary so
01:52:42we could have um this macro move this
01:52:45cut off just slightly up by like
01:52:492% oh let's just do the Precision right
01:52:52click
01:52:53and say 0 let's just do
01:52:56one and then you also one and then here
01:53:00for these ne1 and negative 1 and
01:53:09now if it spread too far then it's weird
01:53:15but a little bit of stereo width there
01:53:18that plus the unison
01:53:23neat if this is on
01:53:26heart and get the
01:53:30[Music]
01:53:37drift
01:53:39interesting um there should be a macro
01:53:41that's controlling the que so we have an
01:53:44overall control over the resonance
01:53:48amount
01:53:50and and that goes down and and then this
01:53:53is oo I like this I don't know about
01:53:58the oh there we go that's
01:54:03good but I think sort
01:54:08of it could still be
01:54:12cooler sorry that I'm just I'm just like
01:54:15so focused on this and I'm not reading
01:54:17at all what anyone is writing or asking
01:54:20it does not matter what gen you're
01:54:21making right now no turn to break or
01:54:23immediately
01:54:31no uh pitch might be taking 50% my CPU
01:54:34yo who likes keyen music ha that's funny
01:54:36that was my old
01:54:39Alias opinion on serum versus face PL
01:54:43um it's hard to say like it really
01:54:47depends on what you are good with it's
01:54:50like I don't know like uh two different
01:54:55guitars
01:54:56or two different pianos or something I
01:54:59don't know it's hard to
01:55:00compare like the difference and
01:55:02functionality sort of in features is
01:55:05like bigger between syns than with
01:55:07guitars usually yeah that's true but I
01:55:09don't
01:55:13know what car do you drive H I don't
01:55:15have a car I know it's weird right I'm
01:55:17German but I don't have a car makes no
01:55:20sense
01:55:23uh okay let's get back to this and
01:55:28um I think there's still a way I can
01:55:30make this cooler so my idea was that we
01:55:32have an extra output under this can I
01:55:36have this
01:55:37before you know
01:55:40what I'm going duplicate the
01:55:44sampler and one of them gets into it it
01:55:46just gets can I just have you separate
01:55:48from the group please
01:55:53but we're going to have to be able to
01:55:55reach that easily so just going to make
01:55:58some rearrangements real
01:56:01quick you here you here cool and then we
01:56:05can still see nope wrong wrong order cuz
01:56:09what I want to
01:56:10do is this one doesn't have the
01:56:13Unison just goes out still it doesn't do
01:56:16the pitch tracking type thing either
01:56:19doesn't need to like yep but we hear it
01:56:22but I don't want to hear it this is just
01:56:23supposed to go to the sideband and then
01:56:25this audio follower gets the audio from
01:56:32sideband yep and now the audio follower
01:56:35has to be like way more in charge of
01:56:37these
01:56:44resonances why so
01:56:48quiet okay one reason is this that you
01:56:52need to be the one that's linked
01:56:55here but why so
01:56:58quiet I'm going just increase this
01:57:02now viral wrong
01:57:10what epie
01:57:13time I'm getting
01:57:16epie okay so far so good I guess it's
01:57:20because this all these should be
01:57:22drifting apart like
01:57:26that that means it's playing at
01:57:28different speeds that shouldn't be
01:57:30possible
01:57:34H I'll just leave it like this right now
01:57:36it's kind of
01:57:41cool
01:57:48okay so the issue here
01:57:51was you need to go down and octave all
01:57:53of
01:57:55you
01:57:58nope I messed it up I broke
01:58:05it there we go that's the
01:58:08old right it sounds a little bit like uh
01:58:11bodex
01:58:16is chat is going uh chat is having a
01:58:20stroke
01:58:22bro step please how long are you
01:58:25planning on streaming I don't know I've
01:58:27been streaming for a while haven't
01:58:29I like been probably it's probably went
01:58:33to
01:58:36long I can't see how long I've been
01:58:39streaming oh almost two
01:58:42hours please use delay llama we can have
01:58:45a look at um let me see if I have the
01:58:48pictures we can have a look at haror and
01:58:50then let me just have a look real quick
01:58:51if in downloads I should have this
01:58:55folder let me just see if I have this um
01:59:00cuz I made some
01:59:02images with mid journey to then run
01:59:06through here mid journey waveforms is
01:59:08this this no this is just I mean that
01:59:10that we can try that
01:59:11too but making pictures with mid journey
01:59:15to then run through harmmer image type
01:59:18thing yeah especially stuff like this
01:59:21like um high contrast stuff like that
01:59:26sounds great through harmer's image
01:59:28thing uh we're just going to do
01:59:30that in a second I just want to figure
01:59:32out what went wrong
01:59:36here I this is too
01:59:39low it starts messing up the
01:59:50playback I I
01:59:53guess it doesn't matter too
01:59:58much like this shouldn't spread out like
02:00:03this but
02:00:07whatever got this far I'm going to save
02:00:09this just as like work in progress uh
02:00:14phase plan colorizer
02:00:27and then
02:00:31um I think I have one or two more cool
02:00:33ones I can show you real quick that I've
02:00:35been working on let me see user so oh
02:00:39yeah this was just some neuro
02:00:41type crazy noises also featuring lots of
02:00:45FM uh let me play this at the right
02:00:47pitch
02:00:55[Music]
02:01:10basically the idea here was just to make
02:01:11like sign compression type stuff but
02:01:13it's more like triangle
02:01:16compression I do not have a
02:01:19girlfriend just saw that random question
02:01:21and felt like need to answer
02:01:25[Music]
02:01:29that so this can be fun filter table oh
02:01:33yeah filter table and it
02:01:36crashed cuz the
02:01:38beta that's fine let me uh while it's
02:01:43reopening I'm just going to look at you
02:01:50all you're
02:01:54tool probably car radio stations yes
02:01:57what's your favorite movie o it's a hard
02:02:00one um I did really but that's like
02:02:03Interstellar that's too CL standard
02:02:08ah what did I really like recently the
02:02:11house that Jack built I still can't get
02:02:13over sometimes that one's just crazy
02:02:16very bloody and [Â __Â ] up though not a
02:02:19good not a date movie recommendation
02:02:22um the the second Dune was nice I really
02:02:25enjoyed
02:02:31that oh yeah I still have those Barefoot
02:02:34speakers but they are in LA and I will
02:02:37bring them over here I'm are you into
02:02:40Marvel DC I did I like watched most of
02:02:44the Marvel movies yes and I like the
02:02:47like all the the big um Batman Trilogy
02:02:50Of course
02:02:52is just good good
02:02:56cinema did you watch barbiie no not yet
02:02:59I did watched Oppenheimer but I haven't
02:03:00watched
02:03:02Barbie report a crash
02:03:05[Music]
02:03:08nah we don't have time for
02:03:10that okay
02:03:13so
02:03:15now happy face oh great that also
02:03:19doesn't work I um
02:03:23yeah I made those with like the beta I
02:03:25think that's why because I'm trying to
02:03:27open it with regular face
02:03:34plant yeah dude the dude the addiction
02:03:38is real man that [Â __Â ] ain't a
02:03:45joke you already play one movie was ass
02:03:49there's a book
02:03:51what's your main in Super Smash BR
02:03:53ultimate still just I can only play
02:03:55Kirby I'm sorry that's all never had the
02:03:59time to learn anything only only know
02:04:01Kirby and I'm not very good at Kirby
02:04:05either crunch
02:04:09Rees I keep jump scaring
02:04:16myself that's a nice
02:04:19sound Bend range up
02:04:24so yeah you can uh you can make cool
02:04:27stuff
02:04:28with only so
02:04:31[Music]
02:04:32loud and more of that um this is just
02:04:36like stuff I've been wor these called 8K
02:04:38patches
02:04:40oh oh yeah this is a cool terot patch in
02:04:46here and um this is actually where the
02:04:48built-in frequency shifter here is
02:04:50pretty helpful like after doing like
02:04:52putting like a weird pan snare into um
02:04:57into a
02:04:59convolver to have like weird
02:05:02resonances you can still like shift it
02:05:11with sorry I'm going to read a few more
02:05:13chat questions do you like FES I do not
02:05:17dislike them as if they do whatever they
02:05:19want to do long as they don't bother
02:05:21anyone
02:05:24no where are the weird
02:05:28noises SRX jump
02:05:31SC try to colorize something using
02:05:34parallel Soo and Delta oh yeah I've I've
02:05:36heard of that technique I've tried it do
02:05:39you remember how you made the main base
02:05:41and second drop of computer music um
02:05:44that was a lot of processing and then I
02:05:46exported it and then reimported it later
02:05:49and I don't know exactly but I could
02:05:50have I could have
02:05:52think do you know good producers who
02:05:54don't know much music
02:05:56theory I don't know how much music
02:05:59theory for example scrx knows but he
02:06:01just has great intuition over like it's
02:06:04it's almost like it's almost like U chat
02:06:08GPT you know where chat GPT kind of
02:06:11knows which word is the next one that
02:06:13makes sense sort of for which character
02:06:15and if you sort of get an intuition for
02:06:18which um note which which note to plays
02:06:22like the next one that sounds like it
02:06:24fits and that makes sense and obviously
02:06:26there is no one um no one right
02:06:32answer because it's art and it's very
02:06:34subjective but having this feeling is
02:06:37something you can I feel like
02:06:40develop like I think yeah squ gbt um I
02:06:45think like there's this there's this
02:06:48thing on Adam ne's YouTube channel about
02:06:51music and it's this this black and white
02:06:54video of what's Leonard Bernstein I
02:06:58think um who was like in a who did a lot
02:07:02of research on music and with children
02:07:04and about like what music makes you feel
02:07:07and he did a lot of really cool research
02:07:09and basically it was just like one note
02:07:11by itself like doesn't carry a lot of
02:07:14emotion but as soon as you like added
02:07:16second
02:07:16one like suddenly there's some sort of
02:07:20feeling some pulling some some sort of
02:07:23really hard to express emotion but it's
02:07:24there there is something sort of and
02:07:26like he like goes in into in depth about
02:07:28that and sort of if you go with your
02:07:31feeling and you play play two notes just
02:07:35one note and then any other note that's
02:07:36nearby it's never going to be
02:07:39wrong like these two notes by themselves
02:07:42like one and then one that's like
02:07:44somewhere nearby can't be wrong even if
02:07:49it's even that you can now what is the
02:07:52third note you would want to add that
02:07:54kind of makes
02:07:56sense
02:07:58H and then
02:08:02o so just sort of going by uh by
02:08:07association sort of uh I'm going do
02:08:09again and I'm going just
02:08:12go okay so we
02:08:15got and maybe
02:08:22[Music]
02:08:40[Music]
02:08:43for some reason that just sounded so
02:08:45much like Lincoln Park just the that
02:08:47that
02:08:53[Music]
02:09:06do you play any video games when you're
02:09:08not making music or touring
02:09:12so usually yeah but I am a
02:09:16surgeon but uh I've become so Jesus oh
02:09:19my God you got some good uh
02:09:22It crack me up
02:09:25um wait what was the question Jesus
02:09:28Christ
02:09:30ah my my ADHD is just
02:09:39huh yeah no I forgot what the question
02:09:43was oh video games no um um um so I
02:09:48haven't played video games in like the
02:09:51last
02:09:52half a year or something and I usually
02:09:54play a lot of video games like sometimes
02:09:56I play some random app stuff on my phone
02:09:58I have a switch and have a steam deck
02:09:59and I used to play tons of video games I
02:10:00played balers Gate 3 that was the last
02:10:02game I played and I played it all the
02:10:04way through loved it but since then I've
02:10:06basically just been on Ableton and
02:10:09that's sort of been like all day every
02:10:11day and it sort of feels like a video
02:10:13game to me in a way where it like it
02:10:15gives me the same kind of dopamine and
02:10:18the same kind of uh chemicals in my
02:10:19brain same kind of reward just making
02:10:22something like because it's like a
02:10:24puzzle and I like puzzle games like I
02:10:26love magnum opus or or or
02:10:29um what's it factorio or satisfactory
02:10:33you know those type of things and
02:10:35especially like factorio with these like
02:10:38chains and chain react and like and like
02:10:40like like these processing chains you
02:10:41have to set up that's kind of it's very
02:10:44similar to the audio and midi effect
02:10:46racks where you like connect things and
02:10:49stuff and it's
02:10:52[Music]
02:10:57I don't know it's just how I feel about
02:11:01[Music]
02:11:12it there's probably one more cool thing
02:11:14I can show before um serum effects color
02:11:19band pass I was trying out oh vooder
02:11:22color oh vocoder color is nice this has
02:11:26worked very well collab with
02:11:32glorb medas yes I've tried midus like it
02:11:36I like it
02:11:38um I like I think it could still be
02:11:42improved or like some I like the the
02:11:45whole idea and it's great I think
02:11:47there's like ways to make that even
02:11:49cooler
02:11:55I have I have played Minecraft I played
02:11:56a lot of
02:11:58Minecraft back in the
02:12:03day oh it's still
02:12:06loading okay here we go oh there's like
02:12:09a whole thing here now I forgot I forgot
02:12:12that I made a thing here so the idea
02:12:15here is that I have a serum I am a
02:12:19surgeon and um
02:12:21we got midi in parallel running
02:12:25into this rack to turn
02:12:28on these where are they these different
02:12:32things here so here we
02:12:35got
02:12:38um all the notes in an octave and then
02:12:41here are all the different octaves as
02:12:43band passes and these volume faders here
02:12:47are connected to the midi envelopes Over
02:12:49Yonder and then that goes into an um a
02:12:54coder that only puts out like S waves in
02:12:56those frequencies
02:12:58um y that sounded cool let me make
02:13:05a you just make this soundless ass cuz I
02:13:09had like played around with all kinds of
02:13:11stuff here and then as soon as it
02:13:12sounded started to sound real bad again
02:13:14I uh stopped working on it but basically
02:13:18the idea is we make a sound that's like
02:13:20I'm just going to make something that's
02:13:21like has like a range of frequencies
02:13:24with this band
02:13:29[Music]
02:13:34pass so this is being
02:13:36[Music]
02:13:40added and we can let me just see I need
02:13:45to minimize some stuff so I see what the
02:13:47hell is going on
02:13:49here so we have you are connected to
02:13:56what clip one envelope
02:13:58[Music]
02:14:01oh cool okay that just goes in there for
02:14:04coder depth filter band width I just
02:14:07have to orient orientate
02:14:09myself
02:14:11y
02:14:13yeah
02:14:15Sparkle little bit of little bit of
02:14:19echo oh it's there's a there this thing
02:14:23[Music]
02:14:30that neat so yeah it's these vo using
02:14:34vocoders as
02:14:37resonators and then it's also cutting
02:14:41like a little bit of frequency content
02:14:43out of the dry base whenever the vocoder
02:14:47is playing that's this envelope here
02:14:49which is way too intense but but it does
02:14:51the
02:14:52job so the nice thing is this way um
02:14:56this should be
02:14:58reacting pretty dynamically to changes
02:15:01in the sound like if if there was
02:15:04like
02:15:07y
02:15:09[Music]
02:15:11neat where's that bit Crush coming from
02:15:13is
02:15:14that yay that's nice and this sounds
02:15:18really cool with the square
02:15:25[Music]
02:15:31[Music]
02:15:32so since this is the version where I
02:15:34messed it up too hard I must see if I
02:15:36can open the one right before that and
02:15:39that one probably still sounds
02:15:42good Chad I am
02:15:45cooked am am I cooked
02:15:55what are your thoughts on
02:15:57ASMR um I like I like making ASMR stuff
02:16:02with uh with actually we did that in one
02:16:05of the classes just on
02:16:10accident ASMR is cool it's an
02:16:12interesting phenomenon it's not just
02:16:13hearing like touch also if something
02:16:17touches you just like you know when your
02:16:19hair or something touches you just like
02:16:20lightly but it's like basically tickles
02:16:23you already um or these little this this
02:16:26these uh metal thingies this like
02:16:28massage thing for your scalp um that's
02:16:31all technically
02:16:33ASMR that makes it so
02:16:36nice how bad is sunno I haven't tried
02:16:40it multiple Voda around every different
02:16:42instrument one chain ah
02:16:45interesting how to get a loud mix and
02:16:48that's what we all want to know
02:16:51I am I'm just also just experimenting
02:16:54let me see if this works ah there we go
02:16:56this one sounds good
02:16:59[Music]
02:17:23yay it sounds so nice yeah that's all
02:17:28vocoders um doing that and you can kind
02:17:31of see which notes are turned on by
02:17:35which of these green bars light
02:17:37up and then it changes for the different
02:17:39chords and then this is the midi that
02:17:41triggers the
02:17:44colorization and then the dry patch just
02:17:47by itself is just this
02:17:58[Music]
02:17:59but and um I
02:18:02love um I love retune and I love
02:18:07chroma um and obviously pitch map too
02:18:10but what like still sets pitch map apart
02:18:11for me and why I also like this method
02:18:15that I'm doing here even though this is
02:18:17so unnecessarily complicated and hard to
02:18:21set up and um only sounds marginally
02:18:24different is because I have control over
02:18:26like the whole keyboard as and in things
02:18:30like retune or chroma it's just like um
02:18:34this
02:18:35whole uh just one octave and you can
02:18:37like select sort of the scale but I
02:18:39can't say like hey in the lower octaves
02:18:42only go for an F maybe a c then the next
02:18:46F and then in the higher octaves now you
02:18:48can pick all those cool notes I guess
02:18:50you could do multiple chromas in
02:18:53parallel uh like
02:18:56multiband actually let's try that maybe
02:18:59a Jesus maybe I just solved my own
02:19:01problem could have saved myself a lot of
02:19:04work uh but yeah come on Chad that's the
02:19:08last thing we're going to try today and
02:19:10then that's going to be it cuz it's
02:19:11already 11:00 p.m. here so let's try
02:19:16that but also yeah changing the chords
02:19:18is a little easier this way too
02:19:22with the if you have that Medi input you
02:19:24know uh
02:19:28but let me try
02:19:33something yeah it doesn't go over 4K
02:19:35does it or like yeah yeah that's where
02:19:37it ends up um so we can send midi so
02:19:41let's try something though so this one
02:19:45I'm only going to do like from here to
02:19:48500 or 400 let's just do till 4 100 and
02:19:52then you have a midi track for that you
02:19:55go to serum and you go into the this
02:19:58chroma
02:20:00one and then you're just going to get
02:20:02this root note here that the base is
02:20:05playing and maybe the fifth on top but
02:20:08maybe not even that let's just try this
02:20:11first so that
02:20:17is y that works
02:20:21and we can mute the rest so that's also
02:20:25good cool I'm going name these in a rack
02:20:29so that they're easier to
02:20:30find um when I send the midi to this CU
02:20:34then I see low one chroma that's that so
02:20:37then for the higher
02:20:40one I'm just going to duplicate this
02:20:43midi and give this a fifth all of these
02:20:48are going to have a fifth and that's
02:20:50going to be for the one above
02:20:52that this is fascinating you're going to
02:20:54be called
02:20:55mid what or else put rebound on it um so
02:20:59this is going to be mid and that goes
02:21:02from start at
02:21:05400 probably type it in
02:21:08yep and um um yeah have 1K let's just do
02:21:13it till here also midi in but this time
02:21:17that comes from you you go to Mid equ my
02:21:29one I feel like you should already do
02:21:31the minor or major
02:21:33thirds like
02:21:38[Music]
02:21:53yeah let's just do that sorry for being
02:21:55so
02:22:01[Music]
02:22:03quiet okay and then one last
02:22:07one so this one now finally duplicate
02:22:11you one last time and you are
02:22:15high and you go all the way up here and
02:22:18you're going to be at 1,000 and then you
02:22:22can go
02:22:23through and on the low this can go
02:22:27through and then this last midi you get
02:22:31connected to well hey hi chroma and then
02:22:36I'm just going to drag this whole this
02:22:37thing in
02:22:46there that midi might have been a little
02:22:48extreme cuz I'm using like a lot of
02:22:51optional tones in this so maybe just
02:22:54going to remove all of
02:22:59these okay nice now I'm kind of getting
02:23:02what I was looking for because you can
02:23:04hear
02:23:07the because only the high frequency band
02:23:11chroma is doing that while the others
02:23:14are playing like the rest of that chord
02:23:17so that's neat that's kind of what I
02:23:20want
02:23:21can we just have like a chroma with a
02:23:23full
02:23:29keyboard that's that's dope I want
02:23:34that and then a way to shift it down in
02:23:37octave
02:23:38too sorry I'm just all all the feature
02:23:41requests
02:23:45um just going to do a super hacky
02:23:48version this on Pitch
02:23:51[Music]
02:23:57[Music]
02:24:02Three band chroma just going to save
02:24:05this so I don't forget about
02:24:09it yeah chroma is way cheaper but
02:24:13building your own is even cheaper but no
02:24:15you should support you should support
02:24:17those those people cuz I love um
02:24:20how creative they are and I love the
02:24:23stuff that they put out and how like
02:24:25accessible it is because of its low
02:24:27price how useful it is because of the
02:24:28crazy stuff it does and I feel like
02:24:30audio audio software and like the audio
02:24:33software development is one of the last
02:24:35sort of places where uh Indie developer
02:24:39team or maybe just one person like Steve
02:24:42Duda making a plug-in can have a huge
02:24:45impact on an entire industry and how
02:24:47people make art for the foreseeable
02:24:49future which I think is
02:24:53[Music]
02:25:09crazy reminds me a little bit of angel
02:25:12numbers by
02:25:13Uber really cool tune you should all
02:25:15check it out too
02:25:17[Music]
02:25:35cool um that that that will be all for
02:25:39today
02:25:41um thank you all for watching this was I
02:25:43know this was very uh oh core
02:25:46progressions we can do something on core
02:25:48progressions I'm so
02:25:50since I'm teaching twice a week one
02:25:53session on Discord and one in person at
02:25:56Slam Academy you can look that up um I
02:26:00uh do a lesson on like chord progression
02:26:03and voicings and especially in the
02:26:06online class sometimes people record and
02:26:08send me the recording and I want to edit
02:26:10down some of those because every every
02:26:12lesson every class is like 3 hours uh so
02:26:14I just want to edit some of that down
02:26:16into the into like cool little Clips
02:26:20with the most information and then uh
02:26:22upload bit bits of those to my channel I
02:26:25think that' be
02:26:29awesome what happens if you were a furry
02:26:32I don't
02:26:34know how can I know what are these
02:26:39questions did you play Dota 2 um I used
02:26:42a long time
02:26:44ago but I still like the
02:26:47samples
02:26:49um which here there we go and then
02:26:53again be noises get
02:26:56back let the fun begin good
02:27:02stuff yeah Slam Academy um I do uh thing
02:27:08Advanced EDM production class don't join
02:27:11it if you don't know your way around
02:27:13Ableton because it's Ableton only and it
02:27:15is like intermediate they have Aon like
02:27:18intro classes too and they're incred
02:27:20affordable especially if you compare it
02:27:22to other similar services like icon
02:27:24collector or something um quit vaping
02:27:27Val yeah this year this is the plan last
02:27:29year I quit drinking this year I quit
02:27:30vaping that's the
02:27:34plan all right everybody have a good
02:27:39night or morning or afternoon depending
02:27:42on where you
02:27:43are oh ma Jal lab sumu is crazy yeah I
02:27:47tried that we could have a look at that
02:27:49next time all right everybody bye-bye
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