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Visual Sounds Forgotten Pedal Line (Garage Tone)

JHS Pedals2021-05-14
JHS#JHS Pedals#The JHS Show#Guitar Pedals#Guitar Effects#Guitar Gear#Guitar Pedal Demo#Music History#overdrive pedal#chorus pedal#distortion pedal#boss pedals#compressor pedal#univibe#delay pedal#octave fuzz#reverb pedal#reverb#eq pedal#boost pedal#behringer
93K views|3 years ago
💫 Short Summary

Visual Sound founder Bob Wiles partnered with RG Keen to create the Garage Tone series, including the Chainsaw distortion pedal. Despite high quality, the series lacked interest. The video also discusses the misleadingly named Chainsaw overdrive circuit and the unique Oil Can Phaser. It features a jam session showcasing the versatility of different effects. The speaker emphasizes the value of affordable guitar pedals over expensive ones, encouraging exploration and creativity. The video promotes TrueTone and TrueTone Lounge on YouTube, engaging viewers through giveaways and community building.

✨ Highlights
📊 Transcript
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Visual Sound founder Bob Wiles established the boutique pedal company in 1995, releasing popular designs like the Route 66 and Jekyll and Hyde pedals.
02:25
In 2009, Wiles collaborated with RG Keen to create the budget-friendly Garage Tone series known for its high-quality metal enclosures and solid circuit designs.
Despite its excellence, the Garage Tone series faced a lack of interest and eventually disappeared from the market.
The Chainsaw distortion pedal, a part of the Garage Tone series, utilized the Marshall Shred Master topology to achieve its high-gain distortion sound.
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Discussion of the 'Chainsaw' overdrive circuit and 'Oil Can Phaser' pedal in the video.
03:15
The 'Chainsaw' overdrive circuit was housed in a metal enclosure and had a killer circuit, but poor sales due to its misleading name.
The 'Oil Can Phaser' pedal was inspired by an Electra phaser from the 70s and ultimately rebranded from the Small Stone by Electro-Harmonix.
The 'Oil Can Phaser' pedal had unique packaging and a development process that set it apart from other pedals on the market.
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Different sounds of older and newer small stones in a jam session.
06:44
Discussion on a tremolo pedal replication of the Demeter Trimulator.
Various wave selectors and controls available on the tremolo pedal.
Versatility of different effects and tones demonstrated in a Radiohead in a western saloon setting.
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The segment highlights the Reverend Drivetrain pedal, a versatile clone designed by Bob Weil for Reverend.
11:01
The pedal allows for customization of bass and treble controls, similar to a tube screamer style pedal but with added functionality.
The story behind the creation of the Drivetrain is shared, emphasizing its affordability and usefulness for tube screamer enthusiasts.
The segment briefly discusses life insurance before transitioning to the next pedal, the Axial Grease Delay 69.
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Value of affordable guitar pedals
16:40
Some of the best pedals are cheap and high quality, focusing on sound rather than aesthetics.
Encourages not being snobby about gear and suggests prioritizing sound quality over appearance.
Focus on finding pedals that enhance guitar sound and inspire creativity, regardless of price or visual design.
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Importance of trying different guitar pedals for unique sounds.
18:08
Exploring affordable options can lead to discovering new sounds.
Boutique pedal builders should focus on higher-end markets with special packaging and designs.
Recommendation for a standout song by Natalie Press on a record.
Encouragement for feedback from viewers on the album.
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Promotion of TrueTone and TrueTone Lounge on YouTube, with giveaways and audience participation.
20:24
BandLab is highlighted as a platform for music creation and jam sessions with hosts.
Emphasis on engaging with viewers through likes, subscriptions, and notifications for future episodes.
Discussion on the affordability and quality of certain pedals, encouraging viewers to take advantage of good deals.
Aim to create a community of music enthusiasts and encourage interactive participation through different platforms.