00:01is there much of a difference between
00:02say a 58 a 59 that are the most sought
00:05after and a 60 um well 58s tend to have
00:11larger necks the necks were just a
00:13little bit fatter this one's not too big
00:16um cuz you remember like in 1958 they
00:19split the year so there were gold tops
00:22with paf pickups for about half the year
00:25and then they switched over to
00:28Sunburst um actually slash owns the
00:3458 Sunburst standard in The Ledger he
00:38bought it in the 90s like early 90s and
00:40and up until very recently there wasn't
00:42really a way to tell you know when these
00:45things were made and they have now
00:48access to most of the Ledger the 59 is
00:51still miss missing um and you know so
00:56the difference between a 58 a 59 and an
00:59early 60 is not that much um the early
01:0360s January February March um they still
01:06had big necks um they still had the
01:08analin dies which would fade by the end
01:11of 1960 they were kind of changing the
01:14Finish because the dealers were
01:16complaining that Hey listen the Sunburst
01:17Les Paul he stuck it in the window and
01:20now it's blonde cuz all the red faded
01:24and by the end of 60 they had changed
01:26the paint a little bit and and really
01:28slimmed down the neck
01:30and that would become later the neck
01:33profile on those would later kind of
01:35Cross Fade Into what we now call the SG
01:38which the first quote SGS were less
01:42pulse standards they just radically
01:44changed the design this one is a 59 can
01:48you tell nice yeah is it a reissue or is
01:51it a new is oh see I was testing you I
01:54was I was hoping you were that ain't a
02:00could you tell though from me holding it
02:02up uh doing it remote you could tell
02:05this is this is a brand new one this is
02:06like a Murphy Lab One it but it's
02:08honestly like maybe the best Les ball I
02:10think I've ever owned in my life it's
02:11amazing and that's the thing you can go
02:14out and buy we're about to do this um
02:16you'll see it on on the interwebs we're
02:18about to do this with Reverb and you can
02:23epone and or a 1980s Les Paul Studio
02:26plug it into a relatively cheap amp and
02:29a Rel atively common pedal and if and if
02:32you know how to drive it it's going to
02:35sound great you know it's the driver not
02:38the car in in in many many aspects and
02:42it's and it's not the the rule is it
02:44shouldn't be um well if it's old it's
02:47better it's that's not true um it's
02:50whatever guitar or amp or any of it uh
02:53speaks to you so if you're if you're if
02:56this thing speaks to you and it makes
02:58you want to pick it up and play it
03:00doesn't have to be old it doesn't have
03:02it could be literally made two weeks ago
03:04and that's that's the great thing about
03:06guitars it's it's so subjective and and
03:10it's tactile and it's one of the most
03:13tactile instruments on the planet
03:15because I can hand this to you and
03:17you're going to sound like you and you
03:18can hand that one to me and I'm going to
03:20sound like me I'm just going to turn the
03:21dials and the the tone knobs and
03:23whatever until get you get the sound in
