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Bob Ross - One Hour Special - The Grandeur of Summer

Bob Ross2015-03-24
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38M views|9 years ago
💫 Short Summary

Bob Ross introduces the one-hour instructional tape for 'The Joy of Painting,' providing a supply list and discussing the equipment and materials to be used, such as brushes, painting knives, liquid white, and paint thinner. He demonstrates covering the canvas with a thin, even coat of liquid white to prepare for painting. The video demonstrates Bob Ross painting a sky, water, and mountains using oil paints and different brush techniques. He creates a serene landscape with clouds and snow-capped peaks, emphasizing the joy and simplicity of painting. The video demonstrates how to paint misty mountains and foothills using a palette knife and brushes in a step-by-step tutorial by Bob Ross. Ross emphasizes the use of highlights and shadows to create depth and texture in the landscape, and encourages creativity and individual decision-making in painting. The techniques shown provide a simple and effective way to create realistic mountain scenes. In this Bob Ross painting tutorial, he demonstrates how to create a landscape with mountains, trees, and reflections in water using oil paints and various brush techniques. He emphasizes the importance of creating different planes and layers to add depth to the painting. Ross also shows how to easily make evergreen trees using a two-inch brush and highlights the significance of straight lines in creating realistic water reflections. Finally, he adds foreground elements such as trees using a technique of pushing the bristles of the brush downward. In this video, Bob Ross demonstrates how to create various trees, bushes, and reflections using oil paints and different brush techniques. He emphasizes the importance of making confident brushstrokes and embracing 'happy accidents' to create beautiful and natural-looking landscapes. Bob Ross demonstrates how to paint bushes, trees, and a landscape with rocks and water in his signature soothing and instructive style. He encourages viewers to make friends with nature and let their imagination guide their paintings. Ross also mentions the availability of instructional books and certified instructors for those interested in learning more about the joy of painting. In this Bob Ross painting tutorial, he demonstrates how to use thin paint and a liner brush to sign the painting, emphasizing the importance of paint consistency and technique. Ross provides guidance on using equipment and expresses the rewarding nature of painting.

✨ Highlights
📊 Transcript
✦
Bob Ross welcomes the viewers to an instructional painting tape and encourages them to watch the entire video before starting the painting.
00:00
The video is designed to take viewers step by step through a painting project.
Viewers are advised to get familiar with the tools and techniques before starting.
Bob Ross urges viewers to use the painting as a guide and add their own ideas to it.
✦
Bob Ross introduces the materials and equipment that will be used for the painting, including brushes, painting knives, liquid white, and specific paints.
02:06
Two main brushes: two-inch and one-inch natural bristle brushes
Two painting knives: number 10 (larger) and number 5 (smaller) for detail work
Fan brush for creating effects like clouds, trees, and waterfalls
Number 2 script liner brush for fine detail and signing the painting
Liquid white is used to cover the canvas and make it slick for color blending
Specific firm and dry paints designed for this technique are recommended
A large plexiglass palette and a brush beater rack for easier cleaning are also mentioned
✦
Bob Ross demonstrates how to cover the canvas with a thin, even coat of liquid white to prepare it for painting.
07:43
Uses a two-inch brush to apply the liquid white
Recommends using a smooth canvas with a gray primer to easily see where the liquid white is applied
Cleans and dries the brush to ensure the right amount of liquid white on the canvas
✦
Bob Ross washes the brush with odorless paint thinner and prepares to create a 'happy little sky' for the painting.
09:46
Cleans the brush with odorless paint thinner
Gets ready to start painting the sky
✦
Bob Ross starts by painting a basic sky with a gradient from dark to light blue.
10:00
Uses phthalo blue and a touch of liquid white on the brush.
Applies little criss-cross strokes to create the sky.
Encourages viewers to let the canvas and brush work while enjoying the process.
Suggests starting with very little color and adding more as needed.
✦
Bob Ross adds a touch of water to create a sheen of light on the water.
12:00
Uses phthalo blue and a touch of phthalo green to create the water.
Starts from the outside and pulls in to blend the colors.
Leaves a little area open to look like a sheen of light on the water.
✦
Bob Ross uses the fan brush to create happy little clouds in the sky.
13:00
Uses titanium white and a touch of bright red for the clouds.
Uses a tapping technique to create fluffy clouds with the fan brush.
Blends the base of the clouds with a clean, dry two-inch brush.
Fluffs the clouds upward with a circular pattern.
Adds a small amount of paint to create another cloud.
✦
Bob Ross demonstrates painting a small mountain with snow on top.
16:00
Mixes prussian blue, midnight black, alizarin crimson, and a touch of van dyke brown for the mountain color.
Uses the knife to apply and shape the paint for the mountain.
Uses the two-inch brush to pull and move the wet paint for the mountain.
Adds titanium white for snow on the mountain, following the angles and letting it float down with no pressure.
✦
Painting Mountains
19:00
Use a delicate touch with the knife to create peaks and shadows.
Apply a little blue and white to the knife to create highlights.
Highlights need shadows to stand out.
Create mist by tapping the base of the mountains with a clean, dry brush.
Use the same basic direction for all highlight colors.
✦
Creating Foothills
22:00
Mix a bluish gray color for the foothills.
Use a one-inch brush to add foothills below the mountains.
Create mist between the foothills and the mountains.
Darker foothills should be used for closer objects.
Use the brush to separate and define individual trees on the foothills.
✦
Bob Ross demonstrates a technique to create the illusion of distant trees with a chisel edge brush.
28:00
By using a dark color like black and blue, and wiggling the brush as it's loaded with paint, he creates a sharp chisel edge.
He lightly touches the canvas to create the illusion of misty areas between the trees.
By tapping the brush, he creates the effect of distant trees without worrying about individual shapes.
✦
Bob Ross demonstrates how to easily adjust the size of a tree by painting a new layer over it.
38:00
Bob Ross shows that if you don't like the size of a tree you've painted, you can easily make it taller by painting a bigger tree over the top.
He uses a big brush to create delicate evergreen trees by pushing downward with the corner of the brush.
Ross adds leaf trees by pulling the brush in one direction to create a rounded corner and then pushing it upward on the canvas.
✦
Bob Ross adds tree trunks and highlights to the trees, creating depth and dimension in the painting.
42:00
He uses a mix of dark sienna, van dyke brown, and white to create tree trunks by allowing the canvas to pull off the paint as he touches it.
Ross uses a clean knife to scratch through the paint and create the illusion of sticks and twigs.
To create reflections, Ross uses the big brush with liquid white to pull down the land color and turn it into reflections.
Highlights are added to the evergreen trees using the corner of the brush and a dark green color, while leaf trees are created with a shiny green color by pulling the brush in one direction and barely touching the canvas.
✦
Bob Ross encourages viewers to go outside and study trees to understand their shape and personality.
47:00
Go out in your yard or the woods and study trees.
Make friends with a tree and talk to it to understand it better.
Notice what makes a tree look round and gives it personality.
✦
Bob Ross demonstrates how to paint bushes and grass using a thin brush and minimal pressure.
48:00
Uses a touch of paint thinner to thin the paint.
Paints small, round bushes with very little pressure.
Adds highlights to the bushes using a mix of yellow ochre, Indian yellow, and bright red.
Uses the knife to create the illusion of sticks and twigs in the dark areas to add depth.
Suggests talking to the canvas and making up little stories while painting.
✦
Bob Ross offers painting tips and techniques, including using bright colors, books for inspiration, and the option of having an instructor.
50:00
Uses bright colors that make you happy.
Recommends using instructional books and pictures for painting ideas.
Mentions the availability of certified instructors who travel to teach painting.
Suggests using the knife to scrape off and change anything in the painting if not happy with it.
✦
Bob Ross adds a big rock and highlights it, mentioning that rocks are just baby mountains with proper care.
52:00
Uses van dyke brown and dark sienna to paint a big rock.
Adds highlights to the rock using a bouncing motion with a small knife.
Describes rocks as baby mountains that will grow up with proper care.
Adds a little land for the bushes to stand on using van dyke brown and a touch of blue.
✦
Bob Ross promotes other instructional painting videos and offers a free color brochure for those interested.
55:00
Mentions numerous other tapes by himself and other painters in various mediums.
Offers a free color brochure showing the projects that can be done at home with videotapes.
✦
Bob Ross adds some final touches to the painting, including water lines, ripples, and sticks or twigs.
56:00
Uses a liner brush with paint thinner and van dyke brown to paint thin sticks or twigs.
Adds a water line using liquid white and a thin brush.
Emphasizes keeping the water line straight.
Suggests using the liner brush to add happy little ripples.
✦
Thinning the paint for better flow
57:00
Thin the paint so it will flow easily off the brush.
If the paint won't flow, it's probably not thin enough. Add more paint thinner.
Using a thin oil can also work to thin the paint.
✦
Signing the painting
00:57:52:00
Use a liner brush with paint thinner and bright red paint.
Sign the painting with thin paint to create a flowing signature.
✦
Conclusion
00:58:20:00
The thin paint flows well for signing the painting.
The instructor hopes the viewers enjoyed the painting and learned how to use the equipment.
Looking forward to painting with viewers again in other instructional videos.
Wishes everyone happy painting and god bless.
💫 FAQs about This YouTube Video

1. What materials are needed to follow along with Bob Ross in 'The Joy of Painting' instructional tape?

The materials needed to follow along with Bob Ross in 'The Joy of Painting' instructional tape include natural bristle brushes, painting knives, a fan brush, a script liner brush, liquid white, and firm and dry paints designed for the specific technique.

2. How does Bob Ross prepare the canvas for painting in 'The Joy of Painting' instructional tape?

Bob Ross prepares the canvas for painting by covering it with a thin, even coat of liquid white, allowing for the blending of colors directly on the canvas.

3. What is the key tool used by Bob Ross to create a happy little sky in 'The Joy of Painting' instructional tape?

Bob Ross uses a two-inch brush and the wet-on-wet technique to create a happy little sky in 'The Joy of Painting' instructional tape.

4. Why does Bob Ross recommend using firm and dry paints for 'The Joy of Painting' instructional tape?

Bob Ross recommends using firm and dry paints designed for the specific technique to avoid becoming a 'mud mixer' and achieve the desired effects in the painting process.

5. In 'The Joy of Painting' instructional tape, what does Bob Ross use to create effects such as clouds, trees, and waterfalls?

To create effects such as clouds, trees, and waterfalls in 'The Joy of Painting' instructional tape, Bob Ross uses a bristle fan brush, highlighting its versatility in achieving various beautiful effects.

6. What is the first step in creating a basic sky in the painting?

The first step in creating a basic sky in the painting is to use a touch of phthalo blue and criss-cross strokes starting from the top and working downward.

7. How is the water effect achieved in the painting?

The water effect is achieved by using phthalo blue and phthalo green to create a reflection, starting from the outside and pulling in to make it lighter toward the horizon.

8. What is the technique for creating clouds in the painting?

The technique for creating clouds in the painting involves using a fan brush and titanium white paint to make tiny circles and then blending the base of the clouds with a dry brush.

9. How is a mountain portrayed in the painting?

A mountain is portrayed in the painting using dark colors and by blending the base with a two-inch brush to create a distant effect.

10. What is the final touch added to the mountain in the painting?

The final touch added to the mountain in the painting is the creation of snow using titanium white paint and carefully following the angles of the mountain.

11. What is the key to creating effective mountain highlights and shadows?

The key to creating effective mountain highlights and shadows is to use a delicate touch and ensure that each highlight has a corresponding shadow to give the mountains depth and dimension.

12. How can the illusion of mist in a landscape painting be created?

The illusion of mist in a landscape painting can be created by gently blending and lifting the paint to soften the base of the foothills, separating them from the background and adding depth to the painting.

13. What is the importance of using a small, delicate knife in mountain painting?

Using a small, delicate knife allows for more precision and control in creating mountain details, such as highlights, shadows, and distinct lines, to enhance the overall realism of the painting.

14. How are foothills distinguished from the background mountains in a landscape painting?

Foothills are distinguished from the background mountains in a landscape painting by creating a misty area to separate them, and by making the foothills slightly darker in value as they get closer to the viewer, adding depth and perspective to the painting.

15. What is the general technique for creating realistic mountain features in a painting?

The general technique for creating realistic mountain features in a painting involves using the play of light and shadow to enhance the dimension of the mountains, and paying attention to the direction of highlights and the importance of adding shadows to give the mountains a natural and realistic appearance.

16. What is the key to creating happy little foothills in the painting?

The key to creating happy little foothills in the painting is to use a tapping technique with a brush and then blend lightly.

17. How does Bob Ross recommend creating the illusion of distance and depth in a painting?

Bob Ross recommends creating the illusion of distance and depth in a painting by including multiple planes and layers of elements such as trees and mountains.

18. What technique does Bob Ross demonstrate for creating reflections in the water?

Bob Ross demonstrates the technique of pulling the brush straight down to create reflections in the water, with the length of the reflection depending on the height of the tree.

19. How does Bob Ross suggest making a painting look deeper?

Bob Ross suggests that adding more planes and layers to a painting can make it look deeper and create a sense of distance.

20. What is the secret to creating the illusion of distant trees and multiple planes in a painting?

The secret to creating the illusion of distant trees and multiple planes in a painting is to use a tapping technique with a brush to depict the background trees and then add layers to build the sense of distance.

21. What is the technique for creating tree trunks in the painting?

To create tree trunks in the painting, Bob Ross demonstrates using a dark sienna, van dyke brown, and white mixture applied with a delicate touch using a knife to make it look like delicate sticks and twigs.

22. How does Bob Ross create reflections in the painting?

Bob Ross creates reflections in the painting by using a big brush to pull the wet liquid white paint straight down to transform the land into reflections, and then lightly going across to blend.

23. What is the key to creating highlights on evergreen trees in the painting?

The key to creating highlights on evergreen trees in the painting is to use the corner of the brush with a small amount of paint and a delicate touch, while focusing on not covering all the dark areas to maintain the tree's depth.

24. How does Bob Ross demonstrate the technique for painting tree trunks in the artwork?

Bob Ross demonstrates the technique for painting tree trunks in the artwork using a dark sienna, van dyke brown, and white mixture applied with a delicate touch using a knife to make it look like delicate sticks and twigs.

25. What is the method shown by Bob Ross for creating reflections in the painting?

Bob Ross shows the method for creating reflections in the painting by using a big brush to pull the wet liquid white paint straight down to transform the land into reflections, and then lightly going across to blend.

26. What is the key to creating depth in a painting of bushes and trees?

The key to creating depth in a painting of bushes and trees is to work in layers and use dark areas to separate the elements.

27. How can rocks be added to a landscape painting?

Rocks can be added to a landscape painting by using a dark color like Van Dyke Brown and creating a highlighted effect to give the rocks texture and dimension.

28. What is the importance of using straight lines when painting water?

When painting water, it is important to use straight lines to create the illusion of calm and smooth water surface.

29. How can depth be added to a painting of bushes?

Depth can be added to a painting of bushes by using a thin paint to create sticks and twigs in the dark areas, which helps to enhance the three-dimensional quality of the bushes.

30. What technique is used to create a lacy effect on bushes in a painting?

To create a lacy effect on bushes in a painting, a tapping technique with a brush is used to add foliage and layers, enhancing the delicate appearance of the bushes.

31. What is the key to getting paint to flow off the brush smoothly?

The key to getting paint to flow off the brush smoothly is to ensure that the paint is thin enough. If the paint is not flowing, it is probably not thin enough, and more paint thinner can be added to achieve the right consistency.

32. How is the signing of the painting done with thin paint?

The signing of the painting is done with thin paint to allow it to flow smoothly. This demonstrates the importance of thin paint in creating smooth brushstrokes and details.

33. What does the instructor emphasize about using thin paint in the tutorial?

The instructor emphasizes the importance of using thin paint to achieve smooth brushstrokes and details throughout the tutorial. Thin paint is key to creating a flowing and smooth painting process.

34. What is the instructor's final message regarding the use of thin paint in painting?

The instructor's final message is to emphasize the importance and enjoyment of using thin paint in the painting process. It is described as rewarding and essential for creating smooth and flowing artwork.

35. In what way does the use of thin paint enhance the painting process?

The use of thin paint enhances the painting process by allowing for smooth brushstrokes, effortless flow, and the creation of fine details. It is a crucial element in achieving a professional and polished result.